Elizabeth Zanzinger Portrait Paintings

Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

French realist artist of the 19th century oil painting on board, unframed board: 12.5 x 10.5 inches provenance: private collection, France condition: ...

Academic style figurative painting of two men in trousers and suits with naval flags by Mark Beard aka "Bruce Sargeant" "Boy in Suit", painted in the late ...

Academic style figurative oil painting on canvas of a young man undressing in a rural camp setting with a mountain landscape in the distance "At the Camp", Painted by Mark Beard as ...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 28 x 22 inches unframed This vertical, contemporary portrait painting of a single young m...

Girl with Teddy bear / Tender innocence This is one of my favorite artworks painted from nature. Painting are on stretched canvas come ready to hang. This is the “hidden frame”...

Rudolf KLINGSBÖGL Austrian Viennese painter and teacher. Chassidic rebbe with Shtreimel. Klingsbogl was active in Vienna and is known for his typical portraits and paintings of interiors - workshops, pubs and cellars. His style is very distinctive. rare to find good jewish work that survived the holocaust as so much of it was destroyed. Other works by Rudolf Klingsbogl (sometimes known as Klingsberg}: Rabbis Studying Around a Table, The Huntsman, The Pet Bird, Blacksmith Interior Scene, Three Men with Chat and Drink, The Sailors, The Old Drinker, Debating the News, Sunday Afternoon, Man Looking at Pocket Watch. Game of Cards in a Tavern, Wolfgang Amadeus Mozart as a Child, Franz Schubert at the Piano, Johann Strauss (The Younger). Realistic portrait of an older rabbi visiting and blessing a child in a European marketplace...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotion...

When viewed straight on, this "turning picture" by French artist Gaspar Antoine de Bois-Clair appears to be a disorganized collection of painted facial features and wooden slats. However, when viewed at an angle from either side, two separate images are revealed — portraits of Frederik IV and Louise of Mecklenburg-Güstrow, the King and Queen of Denmark. A wonder of both portraiture and trompe l'oeil, this work demonstrates the artist's skill in rendering intriguing visual effects. An impressive exercise in representing depth and 3-dimensionality in painting, the work is executed on a series of triangularly-cut strips of wood to create an effect now known as lenticular imaging...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

You Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...