Emmanuel Bellini Art

Drying Nets Spanish School, late 20th century signed lower corner and inscribed verso oil on canvas, framed framed: 29.75 x 41 inches canvas: 28.5 x 29.5 inches provenance: private c...

The Grand Canal, Venice Alvarez ( Mid 20th Century) signed oil on canvas, framed framed: 25 x 33 inches canvas: 20 x 28 inches provenance: private collection, France condition: very ...

FRANCE World Cup Lithograph by Aldo Luongo c.1998 Limited edition France 98' World Cup - Official License From a very limited edition of 300. Pencil signed lower right. Edition 24/300 lower left. This is a rare, very small edition lithograph for the 1998 Soccer World Cup...

"Bklyn Transfer, East River Crossing" by Frederick Reimers (1911–1994) This unique, captivating cityscape painting by Frederick Reimers (USA, 1911–1994) offers a dynamic view of the ...

Signed figures in a landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside - bathers r...

Artist/ School: Jean-Pierre Rousseau (French, b. 1939), signed and dated 1963. Title: The Vintage Car Driver Medium: signed oil painting on canvas, framed and inscribed verso. f...

This artwork "Mother and Children" c.1970, is a colors lithograph on paper by American artist Edna Hibel, 1917-2014. It is signed and numbered II 3/10 Ed. 200 in pencil by the artist. The The artwork (sheet ) size is 34 x 23 inches, framed size is 40 x 29 inches. Custom framed in original wooden decorated grey/silver frame. It is in excellent condition. About the artist: Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork. She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin. She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts. Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique. She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth." In 1995, she was commissioned by the Foundation of the U.S. National Archives to commemorate the 75th anniversary of women receiving the universal right to vote. At the ceremony, Ms. Lucy Baines Johnson referred to Hibel as the "Heart and Conscience of America." In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts. Hibel's work has been exhibited in museums and galleries in more than 20 countries including Russia, Brazil, China, Costa Rica, and the United States, and under the royal patronage of Count and Countess Bernadotte of Germany, Count Thor Bonde of Sweden, Prince and the late Princess Rainier of Monaco and Her Majesty Queen Elizabeth II of England. Pope John Paul II gave her a medal of honor as did the late Belgian King Baudouin. She also received honorary Doctoral degrees including from Eureka College, and Northwood University of Florida, Michigan and Texas. She also has received many humanitarian honors for her charitable efforts for children's and medical charities. Her exhibitions "Golden Bridge" and " Peace Through Wisdom" were efforts to promote peace and cultural understanding between China, the United States, Yugoslavia and Russia, and a television documentary titled "Hibel's Russian Palette" was based on her trips and art shows in Leningrad, now St. Petersburg. In 2001, Edna received a Lifetime Achievement Award from "Women in the Visual Arts," an organization of artists in the South Florida area. Works in Permanent Collections: Harvard University Boston University Museum of Fine Arts, Boston Springfield Museum of Arts, Massachusetts University of New Hampshire Fleischmann Collection, Cincinnati Detroit Art Institute Milwaukee Art Museum Phoenix Art Museum La Jolla Museum, California Lowe Gallery, University of Miami, Florida Columbus Museum of Arts and Crafts, Georgia WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas Palais des Nations,Geneva, Switzerland United Nations Headquarters, New York City Norton Gallery, West Palm Beach, Florida de Saisset Museum, Santa Clara, California Russian Academy of Art, St. Petersburg, Russia Hibel Museum of Art, Lake Worth, Florida One Artist Exhibitions: Shacknow Museum of Fine Arts, Plantation, Florida, 2000 Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993) Klutznick National Jewish Museum, Washington, D.C., 1999 The Museum of Printing History, Houston, Texas, 1999 (and 1998) Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994) Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994 Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992 Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg), Russia, U.S.S.R., 1990 Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990 Galerie Vindobona, Bad Kissingen,West Germany, 1988 The National Museum of Women in the Arts, Washington, D.C., 1989 St. Peter An...

The Dancers by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1999 oil painting on canvas, framed canvas: 36 x 55 inches framed: 41 ...

Signed figures in landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside in the height...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

Summer on the Beach Huguette Ginet-Lasnier (French 1927-2020) signed oil painting on canvas 20 x 24 inches. All the paintings we have for sale by this artist have come from the artis...