Emmanuel Fremiet Furniture

This exquisite bronze figurine from the early 1900s, by renowned French sculptor Emmanuel Frémiet, depicts a seated cat with exceptional elegance and realism. The sculpture captures ...

A late 19th century bronze sculpture depicting Jeanne d'Arc. A stunning early salon version of the famous Joan of Arc in the Place des Pyramides in Paris. Wonderful rich brown patina...

Equestrian group in bronze with silver patinasigned "Fremiet" on the basecast by "F. Barbedienne Fondeur Paris" (founder's mark) in very good conditionSimilar model reproduced in "Em...

Emmanuel Fremiet (1824-1910), Saint Louis, silver-patinated bronze Signed on the bronze base, and with the initials of Saint Louis on the front. Presented on a Napoleonic red marble ...

A traditional gilt bronze sculpture by Emmanuel Frémiet standing on a marble base, portraying St. Hubert riding a horse while he shows a flag depicting Jesus crucified, symbolizing h...

Rare cigar humidor made in wood, with a front flap, discovering five sliding cane trays. Beautiful bronze and silver electroplated brass ornaments, such as the central niche decorated with a winged creature, surmounted on top of the cabinet with a feline. Resting on four tall legs joined by a stretcher decorated with a silvered pierced bronze incense burner. The central relief of that cellarette for cigars, with that fantasy creature, is directly inspired from the one designed by J. Brandely for the front door of the Merovingian Cabinet made by Diehl in 1867, and now preserved at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see « Les ébénistes du XIXème siècle »,D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see « l’Art en France sous le Second Empire », Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active between 1867 and 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book « Les Merveilles de l’Exposition Universal de 1867 » (vol. II, pp. 133 & 149). He writes of a table of which « the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love » (p. 133) and a jewelry case where « The head in fine Grecian style makes up the essential part of the fine gilt bronze ornementation » (p. 149). For this Universal Exhibition of 1867, Diehl also formed a partnership with two famous sculptors : Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Emmanuel Frémiet (1824–1910) Chevaux de Course et Jockeys (Two Racehorses and Jockeys) France, circa 1910 Signed: E. Frémiet Foundry mark: F. Barbedienne A fine, richly patinated b...

Bronze sculpture of a Gaulish chief, signed FREMIET. Bronze sculpture signed FREMIET, representing a Gaulish chief, 19th century, Napoleon III period. H: 37cm, W: 26cm, D: 8,5cm

EMMANUEL FREMIET French, 1824-1910 "Chien Levrier" Patinated bronze signed E. Fremiet in naturalistic base cold-stamped 85, a Charles More cast Item # 411PRB18X An exquisite mo...

EMMANUEL FREMIET French, 1824-1910 Chien loulou couché Nuanced medium-brown patina on sand-cast bronze Signed in base "E. FREMIET" a Charles More cast numbered 38 Item # 311GTS04P ...

A good lifetime casting by Charles More numbered 215, it captures the entirely relaxed spirit of the recumbant husky dog with its bushy tail bouncing and eye...

A blackened wood planter attributed to Diehl, with silvered bronze ornaments, resting on four feet gathered by a stretcher. The pot is adorned with Bacchus’ masks and other antiques patterns after designs by J. Brandely, and, at its four corners with four silvered bronze felines, which are typical patterns in E. Frémiet’s works. The whole is topped by a rich lid with a palms’ frieze, arrow cartridges with medallions, and a button. Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”,D. LeDoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love (p. 133)” and a jewelry case where “The head in Fine Grecian style makes up the essential part of the Fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors : Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...