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Ferdinand Barbedienne Planters, Cachepots and Jardinières

French, 1810-1892

Founded by one-time Parisian wallpaper dealer Ferdinand Barbedienne and engineer Achille Collas, one of the most revered foundries in 19th-century France began with the invention of a revolutionary 1830s-era device that could produce proportional reproductions — large or small — of sculptures. Collas’s machine, which yielded miniature likenesses of antiquities for the interiors of homes the world over, was pivotal to the success of the F. Barbedienne Foundry. The successful firm earned prestigious awards and critical acclaim and created exquisite bronze candleholdersclocks and lamps for a range of wealthy and prominent clients. 

The duo first launched their company under the name Société Collas et Barbedienne, and early on, they optimized chemical processes for pigmenting and patinating their bronze statuettes. After Collas died in 1859, Barbedienne forged on alone, and the company’s name changed to simply F. Barbedienne.

Barbedienne employed more than 300 workers at that point, and the Maison created a range of furnishings and decorative objects that featured the integration of marble and ormolu accents. However, with the onset of the Franco-Prussian War of 1870, the foundry was forced to retrofit its molds, and the production of cannons replaced sculpturesfurniture and vases.

When Ferdinand Barbedienne passed away in 1891, his nephew and heir, Gustave Leblanc, took over as president, changing the name to Leblanc-Barbedienne. Leblanc expanded production into Germany, the United Kingdom and the United States, carrying on the company's legacy with monumental sculptures, and models and securing production rights for famous statues. Paul-Alexandre Dumas, an Art Nouveau maker and student of Louis Majorelle, succeeded Leblanc until the company's closing in 1952.

Barbedienne pieces had been exhibited regularly in the 19th century and were especially prevalent at Europe’s international expositions and world’s fairs, where they received numerous prizes. Today, the Musée d’Orsay in Paris holds dozens of Barbedienne works in its collection, including intricate mirrors, vases and cups created by Louis-Constant Sévin at the foundry. For more than two decades, Sévin created lamps, boxes and more at Maison Barbedienne. Working alongside award-winning chaser Désiré Attarge, Sévin designed Napoleon III-era works that greatly appealed to European nobility.

Other notable artists who collaborated with Barbedienne included Eugene AizelinEmmanuel FremietAntonin MerciéEmile GuilleminEdouard LievreFerdinand Levillain and Auguste Rodin.

On 1stDibs, find a collection of antique Ferdinand Barbedienne decorative objects, lighting and more.

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Creator: Ferdinand Barbedienne
Gilt Bronze and Enamelled Cup or Cache-Pot, 19th Century, Napoleon III Period.
By Ferdinand Barbedienne
Located in Saint-Ouen, FR
Gilt bronze and enamelled cup or cache-pot, signed F. Barbedienne, 19th century, Napoleon III period. A gilt bronze and enamelled floral cache-pot or bowl, signed F. Barbedienne, 19...
Category

19th Century French Napoleon III Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze

A Pair of Gilt Bronze and Enamelled Goblets or Cache-Pots, Napoleon III Period.
By Ferdinand Barbedienne
Located in Saint-Ouen, FR
A pair of gilt bronze and enamelled goblets or cache-pots, signed F. Barbedienne, 19th century, Napoleon III period. A pair of gilt bronze and enamel...
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19th Century French Napoleon III Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze

A Champlevé Enamel Jardinière by Ferdinand Barbedienne
By Ferdinand Barbedienne, Louis-Constant Sevin
Located in Brighton, West Sussex
A Champlevé Enamel and Gilt-Bronze Mounted Jardinière by Ferdinand Barbedienne, the design attributed to Louis-Constant Sévin. This fine jardinière is decorated all over with foliate...
Category

19th Century French Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze, Enamel

F. Barbedienne, A Suite of Three French Ormolu and Champleve Enamel Jardinieres
By Ferdinand Barbedienne
Located in New York, NY
Ferdinand Barbedienne, An Exquisite Suite of Three French Ormolu and Champleve Enamel Jardinieres / Garniture C. 1870, The Design Attributed to Louis Constant Sevin. Comprising of t...
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19th Century French Napoleon III Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze, Enamel, Ormolu

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870
By Ferdinand Barbedienne, Louis-Constant Sevin
Located in New York, NY
Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...
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19th Century French Napoleon III Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze, Enamel, Ormolu

Large and Finely Cast Neo-Grec Jardinière by Ferdinand Barbedienne
By Ferdinand Barbedienne
Located in Brighton, West Sussex
A large and finely cast neo-grec gilt and patinated bronze jardinière by Ferdinand Barbedienne. Signed 'F. BARBEDIENNE'. This rare Jardinière or ...
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19th Century French Neoclassical Revival Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze

Ferdinand Barbedienne, a French Ormolu and Champleve Enamel Jardiniere, C. 1870
By Ferdinand Barbedienne, Louis-Constant Sevin
Located in New York, NY
Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...
Category

19th Century French Napoleon III Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Bronze, Enamel, Ormolu

19th Century Silvered Bronze Athénienne Jardinière by Ferdinand Barbedienne
By Ferdinand Barbedienne
Located in Oxfordshire, United Kingdom
A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...
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19th Century French Grand Tour Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Marble, Silver Plate, Bronze

Imposing 19th Century Bronze Mounted Rouge Marble Jardiniere by Barbedienne
By Ferdinand Barbedienne
Located in New York, NY
An imposing late 19th century Napoleon III gilt bronze mounted rouge griotte marble jardiniere by Barbedienne Ferdinand Barbedienne The oval waisted neck with gadrooned surroun...
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19th Century French Belle Époque Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Griotte Marble, Bronze

Ormolu-Mounted and Champlevé Enamel Decorated Onyx Jardinière by Barbedienne
By Ferdinand Barbedienne
Located in New York, NY
A fine quality large Neo-Grec gilt bronze-mounted and Champlevé enamel decorated onyx Jardinière by F. Barbedienne Maker: Ferdinand Barbedienne (1810-1892) Origin: French Date: ...
Category

Mid-19th Century French Antique Ferdinand Barbedienne Planters, Cachepots and Jardinières

Materials

Onyx, Bronze, Enamel

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Ferdinand Barbedienne planters, cachepots and jardinières for sale on 1stDibs.

Ferdinand Barbedienne planters, cachepots and jardinières are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Ferdinand Barbedienne planters, cachepots and jardinières, although gold editions of this piece are particularly popular. Prices for Ferdinand Barbedienne planters, cachepots and jardinières can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $5,739 and can go as high as $72,000, while a piece like these, on average, fetch $32,866.

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