Françoise Gilot Portrait Prints

Unframed "Seated Woman on Pink Chair" lithograph by artist Joy Laville. Signed H J Laville lower right recto. Image size: 31 x 43 inches.

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

André Planson - French Province Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Original poster: . Come On!, By more Liberty Bonds. Artist: Walter Whitehead. Professional acid-free archival linen backing. A- condition. Small ...

Original 1919 Vintage "Americans All!" Victory Liberty Loan Poster by Howard Chandler Christy. Archival linen backed in A- condition, ready to frame. This iconic 1919 "American...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

This limited edition color lithograph, titled The Drunkard, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. Each prin...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Printed in 1975, this poster features the encounter between an alluring woman dressed in red, and a man with his back to the viewer. The light of a streetlamp is beautifully imitated...

Pablo Picasso (1881-1973) Couverture Mourlot IV is the original book cover of the monograph "Picasso. Lithograph". It consist of spine, front and back. Edition 3000, cat. raisonné M...

Behold the original lithographic Petty Pin-up, a unique vertical-format piece. The see-through bathing suit she wears seems to make her glow, especially with her red hair peeking fro...