Frank Dean Art

just purchased more information to follow Cypher lower right Within a grey mount, 14cm high, 28cm long The gilded cavetto moulded frame 28 cm high, 41 cm long, 3.5cm deep

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Gustav Melcher (German, 1898-?) Segelschiffe vor Venedig - Sailing ships off Venice • India ink, water colour wash • Visible image ca. 11.5 x 18 cm • Glased Frame ca. 20 x 25 cm • Verso various inscriptions • Signed lower right Gustav Melcher was a German painter and a pioneer in film, film criticism and film theory and created this clever little picture of the skyline of Venice with various vessels. Going by the various inscriptions an the backing paper, this drawing was made in 1918 when Gustav was twenty years old and passed on three years later to Gertrud Melcher on the 1. 2. 1921. I have no reasons to doubt this information. The small drawing is still in its unopened frame, so maybe there is more information to be discovered , however this will be the privilege of the next owner. The picture also has retained its original antique frame – note that it has lost over the years various sections of the gesso decoration. The very precisely executed drawing is most enjoyable to look at and doing so, remember you are looking through the eyes of a young man, who saw this foreign sea cape over a century ago. Thank you for your interest and please note, that I offer free worldwide shipping on all my items. Gustav Melcher began his studies at the Düsseldorfer Kunstakademie under Peter Janssen and Eduard von Gebhardt. Originaly he was interested in figurative and portrait painting, but after time he decided to pursue the depiction of land- and marinescapes. Durin his studies the young artist undertook trips to visit England, Scotland, Belgium and France and he joined the artist society Malkasten. It was in those days he would hold speeches to his colleges about this new invention called ‘Kintopp’ – Melcher was a great advocate of the moving pictures...

Bridge to Brooklyn #382, watercolor, 10.5 x 14 inches (Framed size: 18 x 21 inches), $1,750 Waldo Midgley (1888-1986) had a fruitful career spanning eig...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Provenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...

This large wash drawing is a slightly enlarged version of a composition executed by Hubert Robert in 1761, at the end of his stay in Rome. This composition is a marvellous synthesis of the painter's art: the clatter of the waterfall, in a grandiose setting inspired by antiquity, is opposed to the intimacy of a genre scene, made up of a few peasant women performing some agricultural work. 1. The stay in Italy, an important founding stage in Hubert Robert's carrier Hubert Robert came from a privileged family of Lorraine origin, linked to the Choiseul-Stainville family, where his father was an intendant. The protection of this powerful aristocratic family enabled him to study classical art at the Collège de Navarre (between 1745 and 1751). After a first apprenticeship in the workshop of the sculptor Slodtz (1705 - 1764), he was invited by Etienne-François de Choiseul-Beaupré-Stainville (the future Duke of Choiseul, then Count of Stainville) to join him in Rome when the latter had just been appointed ambassador. Hubert Robert arrived in Rome on 4 November 1754, aged twenty-one, and remained there until 24 July 1765. Thanks to his patron, he obtained a place as a pensioneer at the Académie de France without having won the prestigious Prix de Rome. On his arrival in Rome, he frequented the studio of the painter Giovanni Paolo Panini (1691 - 1765), the inventor of the ruins painting, and also benefited from the proximity of Giovanni Battista Piranesi’s studio (1720 - 1778). During his eleven-year stay in Rome, Hubert Robert studied the great Italian masters and drew many of the great archaeological sites, multiplying the sketches which he would use throughout his career, becoming one of the masters of the "ruin landscape". Back in Paris in 1765, he was very successful. He was accepted and admitted to the Royal Academy of Painting and Sculpture on the same day, July 26th 1766, which was very unusual. He was appointed draughtsman of the king's gardens in 1784, then guard of the Royal Museum from 1784 to 1792. Arrested in 1793 and detained in the prisons of Sainte Pélagie and Saint-Lazare, he was released in 1794 after the fall of Robespierre and undertook a second trip to Italy. In 1800, Hubert Robert was appointed curator of the new Central Museum and died at his home in Paris in 1808. 2. Description of the artwork This composition, formerly called "La Cascade du Belvédère Pamphile" , is undoubtedly inspired by the water theatres of the Frascati villas. Hubert Robert presents a hemicycle of columns with rustic bossages at the foot of which is a cascade of water falls into a basin. The hemicycle is flanked by two high walls, pierced by window wells topped with antique masks...

Luigi Cagliani (1910-1987) Paris street scene mid 20th century. Signed lower left. In a beautiful 17 x 19.5in hand carved period frame.

'Amalfi, Italy'. Mixed media on paper . circa 2005. painting 41cm x 54cm glazed frame 62cmx 82cm Atmospheric view of the seafront topography and buildings of the famous coastal town...

A luxuriant forest is the romantic and lyrical landscape where the dance of the nude nymphs takes place in this joyful 19th Century antique oil on canvas painting featuring a mythological scene. Dance of the Nymphs and Naiads is a myth inspired by the tales of ancient Greece and ancient Rome, a subject already much loved in the Renaissance period as an allegory of rebirth - as in one of the most famous paintings in the world the Spring by Sandro Botticelli- then reproduced throughout the neoclassicism by academic painters -due to the renewed interest in classical artworks following the discovery of archaeological sites- and taken up later, with ecological purposes and meanings, also by the Barbizon school and Impressionist artists. The present artwork – signed Vagner low left and datable to the second half of the 19th century - is closely inspired by an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). This historical oil on canvas painting, featuring a joyful scene with the three graces and other dancing nymphs...

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Giovanni Battista Viola was born in Bologna a...

"The Beach at Norderney" Attributed to Andor Basch (1873-1944) Oil on Canvas Signed lower right 10" x 13" 16 1/2" x 19 1/2" in 23kt gold leaf frame