Fratelli Boffi Center Tables

Stunning low adjustable coffee table in spectacular full grain maroon colored Italian leather with a bronzed smoked mirror top. This incredibly stylish and unique table was designed ...

A rare Italian "Dilly Dally" vanity by Luigi Massoni and manufactured by Poltrona Frau Italy in the 1960s. Newly upholstered in off white leatherette. Modular vanity fully upholstere...

The Clessidra Round Table is a unique piece from the mid-century modern era, displaying the hallmarks of Italian craftsmanship and the innovative vision of Italian designer Luigi Mas...

Teak "Clessidra" cocktail table by Luigi Massoni for Mobilia Manufacture. Made in italy circa 1959.

Round Italian geometric pietre dure technique handmade mosaic table top with different marble and semiprecious stones.  

Enter the 'Half Moon Bone Inlaid Table' — nature's vast canvas reimagined in a half-sphere. A horizon touchpoint, central to your living space, embodying the graceful arc of the crescent moon. Handcrafted to perfection, the half sphere table...

Round marble table top with hard stones mosaic inlay.

Table designed by Luigi Massoni for Gallotti & Radice. Elegant table totally made of teal green crystal. The bow-tie-shaped legs are obtained mediane the juxtaposition of numerous ...

Mid-Century Modern Italian "T69" table with round carrara marble top and gold and black aluminum saber legs by Osvaldo Borsani and Eugenio Gerli for Tecno. 1970s The marble top pres...

A bright and clean classic style with a western-inspired decorative spirit: the Toulouse line, composed of side table, central table, night table and chest of drawer, with gold leaf ...

Handcrafted 1990s Spanish classical Roman mosaic round marble table top with lapis lazuli semiprecious gemstones and an assortment of coloured marbles.

Low table with a round-shaped table top in white marble and four metal legs from the Parallel Bar series, designed by Florence Knoll and manufactured by Knoll International during the 1950s. Born to a baker, and orphaned at age twelve, Florence Schust grew up in Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art. While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence vacationed with them in Finland, enjoyed the company of their accomplished friends, and formed a very close relationship with Eliel’s son, Eero. The connections she made and the skills she developed while at Cranbrook were the foundations of Florence Schust’s incredible design education and pioneering career. With recommendations from Eliel Saarinen and Alvar Aalto, Florence went on to study under some of the greatest 20th century architects, including Walter Gropius and Marcel Breuer in Cambridge, Massachusetts and Ludwig Mies van der Rohe at the Illinois Institute of Technology. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. Florence also seeded contributions with her friends Eero Saarinen, Harry Bertoia, and Mies van der Rohe. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America. Drawing on her background in architecture, she introduced modern notions of efficiency, space planning, and comprehensive design to office planning. Florence ardently maintained that she did not merely decorate space. She created it. The Planning Unit rigorously researched and surveyed each client — assessing their needs, defining patterns of use and understanding company hierarchies — before presenting a comprehensive design, informed by the principles of modernism and beautifully executed in signature Knoll style. Florence and the Planning Unit were responsible for the interiors of some of America’s largest corporations, including IBM, GM and CBS. As part of her work with the Planning Unit, Florence frequently contributed furniture designs to the Knoll catalog...