Garo Zareh Antreasian Art

Nue - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Numbered in pencil, edition of 64/150 AUGUSTE HERBIN (188...

This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.

Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Ellsworth Kelly: Ferus Gallery (Gate)" Year: 1966 Medium: Original Lithograph, Exhibition Poster on cream wove paper Lim...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and d...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted is for a show at Galerie Karl Flinker a Paris, in 1977. The poster was printed by IMP. IDL Graphique, Paris. Kandinsky's "Merry Structure" contains a variety of abstract geometric shapes, laid out in a harmonious composition. There are hints of architectural, figurative, and landscape-like objects, in a manner that is open to interpretation. Presented in a new white mat with foamcore backing. Mat size: 40"H x 28"W Poster size: 33"H x 21"W At the relatively advanced age of nearly thirty, Vasily Vasilievich Kandinsky abandoned a burgeoning career as a teacher of law in Moscow to take up studies as a painter. In 1896 he moved to Munich to study, enrolling in the private art academy established by the Slovenian painter Anton Ažbe, where he joined a number of other Russian artists, including Marianne von Werefkin...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Composition 1996 Silkscreen in colors on Arches paper 21.7 x 29.5 in (55 x 75 cm) Editioned upper left and signed upper right Edition of 99 Jesús Rafael Soto was born on June 5, 19...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

"Last Minute Shopping #2" is a digital print on cotton rag, acid-free paper by generative artist Stephen Boyd. Including the wood frame it measures 24x24". Based on mathematical computation, the artist has programmed thousands of lines into two grid patterns that reveal textured backgrounds, moiré effects and organic shapes that allude to motion and plant growth (among other natural processes). Stephen makes generative art (not AI art) based on Organizing Principle Ratios and Emergent Structure – all of which means the artist is programming coherent visual relationships and compositional structures into every artwork. Simple rules, repeated millions of times, result in hypnotic, beautiful images. From Stephen – "I consider myself a composer for an infinite orchestra, where each instrument plays a single note that endlessly ricochets off its neighbours." Stephen Boyd is a Toronto-based artist using code as a medium for creating prints and interactive works since 2003. For the last 20 years, Stephen has explored the idea of simple patterns written in code, repeating millions of times to create beauty through emergent structure. His work for the last five years has focused on creating generative art for print and screen. Stephen's prints and installation work have been exhibited in solo and group shows. He has presented at the Marshall McLuhan Festival, Siggraph, and held an Artist-in-Residence position at Centennial College. Stephen’s influences range from early generative artists of the 1960s such as Manfred Mohr and Vera Molnár...