Georges Braque Art

Georges Braque (1882-1963) Hesiod's theogony : the divinity and the dove Original etching, 1932 Hand signed in pencil Numbered /50 copies On Hollande vellum size 49 x 38.5 cm (c. 19...

Lithograph, 1960 Handsigned by the artist in pencil Edition : 80 Publisher : Louis Broder, Paris Printer : Desjobert, Paris Catalog : [Vallier 153 p.219-220] 17.00 cm. x 11.00 cm. ...

Lithograph, 1963 Handsigned by the artist in pencil and numbered 52/75 Publisher : Edwin Egelberts (Genève) Printer : Mourlot (Paris) Catalog : Vallier 187 38.00 cm. x 28.00 cm. 14....

Wood engraving, 1962 Handsigned by the artist in pencil and numbered 37/70 Publisher : Louis Broder, Paris Printer : Féquet et Baudier, Paris Catalog : Vallier n° 181 p. 254 46.00...

Engraving, 1958 Handsigned by the artist in pencil and annotated "Epreuve artiste" 22.00 cm. x 32.00 cm. 8.66 in. x 12.6 in. (paper) 11.00 cm. x 13.00 cm. 4.33 in. x 5.12 in. (imag...

Paris: The Chauldron from Derriere Le Miroir no. 155 is a mixed lithograph realized by George Braque in 1965. The artwork is from the art magazine Derriere Le Miroir. Printed by Ate...

Georges BRAQUE Bird with star, 1952 Lithograph in colors Signed in the plate Edition of 400 copies On vellum size 38 x 28 cm (c. 15 x 11 in) REFERENCE : Catalog raisonne Orozco #LO...

As black remnants of flora float on top of green patches of murky water, a sense of frenzied movement overtakes this small composition. Stark black lines crisscross as if done in cha...

Comprised of a repetition of oval blue targets, Georges Braque Le tir à l'arc (Archery) exemplifies Braque's skill at evoking a sense of mood through abstraction. The soft, swirling ...

Extremely detailed and brilliantly colored, Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) creates this still life full of vigor and warmth. Adding a unique, organic quality to the...

Lithograph, 1962 Handsigned by the artist in pencil and nunmbered 30/75 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Vallier 177] 54.00 cm. x 80.00 cm. 21.26 in. x...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris (French) Title: Still Life on a Table (Paris 1910) Nature morte sur une table (Paris 1910), 1910-11 Technique: Ori...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris (French) Title: Nude Study (Nude) Etude de nu (Nu), 1907-08/53 Technique: Original Hand Signed and Numbered Etchin...

Utilizing straight lines and sharp angles, Braque creates geometric shapes reminiscent of folded origami. The true identities of these geometric forms elude us, though they vaguely r...

Paper Size: 25.5 x 33.5 inches ( 64.77 x 85.09 cm ) Image Size: 18 x 27.5 inches ( 45.72 x 69.85 cm ) Framed: No Condition: A: Mint Additional Details: Offset lithograph on vel...

Original etching depicting "Ajax", a mythical Greek hero of the Trojan War. Plate drawn by noted French artist Georges Braque, a major 20th century figure i...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Dance, 1934 Technique: Original Hand Signed Etching with Aquatint on paper Paper...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Artist: Georges Braque Title: "La Charrue" (The Plow) Year: 1960 Medium: Original Hand Colored Lithograph on Printed Japan Nacre Signature / Edition: Signed in pencil "G. Braque" in ...

Braque, Georges. DERNIERES MESSAGES - GALERIE MAEGHT POSTER. Color Lithograph, 1960. 27 3/4 x 16 3/4 inches. In excellent condition.

Lithograph on Japan Paper, 1961 handsigned by the artist in pencil 23 x 19 cm (image) - 32 x 25 cm (sheet) very good condition LCD2804

Artist: Georges Braque Medium: Original lithograph Title: Grecian Urn Year: 1959 Framed Size: 20 1/8 x 16 5/8 inches Sheet Size: 15 x 11 inches Signed: Uns...

Signed Edition of 75

Signed Edition of 50 + HC

Original Intaglio Print - Unsigned and not numbered - Published by Pierre de Tartas - Printed by Pierre Jean Mathan

Signed Edition of 150 + HC

Signed Edition of HC

Signed Edition of 300 + HC

Signed Edition of 75

Signed Edition of 275 + HC

Signed Edition of 75

Signed Edition of 150 + HC

Signed Edition of 50 + HC

Signed Edition of 75

Signed Edition of 300 + HC

Signed Edition of HC

Signed Edition of 275 + HC

Georges BRAQUE Surrealist idea, 1955 Original lithograph in colour Hand signed and printed signature in the plate Numbered / 12 copies On the Chinese paper 44 x 32 cm (c. 17,3 x 12...