Gerald Leslie Brockhurst Portrait Prints

Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...

Jean Dubuffet - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Unsigned and unumbered as issued

Original lithograph, linen backed. Vetements Forchic. Pour Lui; Elle a Choise. Archival linen-backed vintage French fashion poster in fine...

(after) Jules Pascin Title: Femininity Signed in the plate Dimensions: 38 x 28 cm from the edition of 250 as issued in Warnod, Andre, "Les Peintres mes amis" (Paris: Les Heures Claires, 1965) Jules Pascin, born Julius Mordechai Pincas, was a Bulgarian Jewish painter sometimes referred to as "the Prince of Montparnasse." He was born on March 31, 1885 in Vidin, Bulgaria to a Spanish-Sephardic Jewish father and a Serbian-Italian mother, the eighth of eleven children. The Pincas family moved to Bucharest, Romania in 1892 and Pascin was raised there until he left for boarding school in Vienna in 1896. While briefly working for his father’s grain merchant firm in Bucharest at fifteen, Pascin spent much of his time completing his earliest drawings in the local bordello, where he was residing under the Madame’s protection. In 1902, at the age of seventeen, Pascin moved to Vienna to study painting. The next year, he studied at the Heymann Art School in Munich. There, he supported himself by selling satirical drawings to Simplicissimus and other German magazines. Pascin would contribute drawings to a Munich daily through 1929. Pascin’s contributions were widely recognized for their wit and insight, and upon his arrival in Paris in 1905 he was welcomed at the Gare Montparnasse by an international group of artists and writers who gathered at the Café du Dôme, which Pascin soon began to frequent regularly. The group included Grossman, Grosz, William Howard, Levy, and Emil Orlik. Pascin was also a close friend of Amadeo Modigliani. Upon his arrival in Paris, Julius Mordechai Pincas changed his name to Jules Pascin and soon became the symbol of the Montparnasse artist community. Always in his bowler hat, he was a witty presence at Le Dôme café, Le Jockey club, and the others haunts of the area’s bohemian society, and was known for hosting legendary all-night parties. In his story, A Moveable Feast, Ernest Hemingway wrote a chapter titled With Pascin At the Dôme, recounting a night in 1923 when he had stopped off at Le Dôme and met Pascin escorted by two models. Hemingway's depiction of the events of that night is considered one of the defining images of Montparnasse at the time. In 1907, Pascin had his first solo exhibition at Paul Cassirer Gallery in Berlin. Three years later, Cassirir commissioned Pascin to illustrate Heinrich Heine's Aus den Memoiren des Herrn von Schnabelewopski. In 1911, Pascin exhibited his work at Berlin Secession and a year later at the Sonderbund-Aussstellung in Cologne. The artist’s first exhibition in the United States was at the Armory Show in New York, where he exhibited twelve of his works. Upon the outbreak of World War I, Pascin left Paris for London in order to avoid conscription in the Bulgarian Army. In October 1914, he immigrated to New York, where he stayed through 1920 and would later return again in 1927. Pascin was immediately welcomed into an artists circle based around the Penguin Club and became acquainted with John Quinn, an important art collector. A short time after his arrival in New York, Pascin was given a one-man show by the Berlin Photographic Company, a Madison Avenue gallery. While in New York, Pascin became associated with several progressive painters, including Walt Kuhn, Yasuo Kuniyoshi, and Max Weber. Many of these painters were influenced by Pascin’s unique style, in which he combined elements from Expressionism and Cubism with his own personal view of his environment. Pascin used his time in the United States to travel extensively, especially in the southern states and the Caribbean islands, recording his travels in sketches that were widely acclaimed. Pascin married Hermine David in 1918. In 1920, Pascin was awarded American citizenship with support from Alfred Stieglitz and Maurice Sterne. He returned to Paris in October of that same year and met his future mistress, Lucy Krohg, the wife of the Norwegian painter Per Krohg...

The frontispiece for Hockney’s Six Fairy Tales from the Brothers Grimm portfolio and book features Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to ...

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent h...

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Unsigned and unumbered as issued

Original Bravissimo Lido (Small format), artist Rene Gruau. Size: 15.5" x 23.5". Archival linen-backed vintage original French cabaret poster, ready to frame. “Bravissimo” was ...

Original poster showing a “Baby in a Bidet”. In Italian it is Maniffatura Ceramica Pozzi. Linen backed in very fine condition, ready to frame. This Italian poster was only know...

Printed in 1975, this poster features the encounter between an alluring woman dressed in red, and a man with his back to the viewer. The light of a streetlamp is beautifully imitated...

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...