Giovanni Benedetto Castiglione Figurative Prints
Italian, 1609-1609
Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van Rijn's etchings, Castiglione probably invented the monotype. Also admired for his fluent brush drawings in oil on paper, Castiglione influenced artists throughout Europe and virtually every Italian printmaker who followed. Despite his easy-going nature, his last works were intense, ecstatic compositions, reminiscent of Gian Lorenzo Bernini's contemporary style.
to
3
1
Overall Width
to
Overall Height
to
2
6
859
382
376
308
4
2
2
4
3
2
2
2
1
4
1
1
3
1
Artist: Giovanni Benedetto Castiglione
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
By Giovanni Benedetto Castiglione
Located in Chicago, IL
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50
Etching on laid paper
152 x 184 mm.; 6 x 7 1/4 inches
References:
Bellini 45
Bartsch 52
Note...
Category
17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Etching
Figure with Their Head Leaning Against...- Etching by Castiglione - 17th Century
By Giovanni Benedetto Castiglione
Located in Roma, IT
Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads
Good condition.
Ref. Bartsch 46.43
Category
17th Century Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
17th century etching baroque portrait male subject hat realistic print
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings.
4 x 3.5 inches, image
15.25 x 13.25 inches, frame
Inscribed "GC" in the plate, lower left
This impression is from the edition ca. 1825 from the original plate of ca. 1635.
Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...
Category
17th Century Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
17th century etching black and white landscape forest trees satyr goats
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...
Category
Mid-17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
Related Items
The Birth of Adonis; Plate 1 from The Story of Adonis
By Herman van Swanevelt
Located in Middletown, NY
Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...
Category
Early 17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Engraving, Etching
$500
H 9.73 in W 12.84 in
Don Juan: The Banquet (Le Banquet)
By Salvador Dalí
Located in Santa Monica, CA
Salvador Dali
Don Juan: The Banquet (Le Banquet), Published 1970
Medium: Hand-Colored Drypoint Etching on Arches Paper
Edition: 38/250
Artwork Size: 25 x 20 in
Framed Size: 33 ...
Category
1970s Surrealist Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Engraving, Etching
$900
H 22.5 in W 16.63 in
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category
16th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching, Laid Paper
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Engraving, Etching
$900
H 22.5 in W 16.32 in
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
1720s Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Engraving, Etching
$900
H 22.57 in W 16.38 in
The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Handmade Paper, Laid Paper, Etching
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
1730s Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Engraving
Temptation of St. Anthony
By Hendrik Goltzius
Located in North Clarendon, VT
Temptation of Saint Anthony an etching in the manner of Hendrik Goltzius.
Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the ...
Category
16th Century Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
Mythology: Leda and Swan (Leda et le Cygne)
By Salvador Dalí
Located in Santa Monica, CA
Salvador Dali
Mythology: Leda and Swan (Leda et le Cygne), Published 1963 -1965
Medium: Copper and Drypoint Etching with Hand-Coloring on Japon
Edition: VII/XX
Artwork Size: 30 ...
Category
1960s Surrealist Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
1730s Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Engraving
$375
H 14.5 in W 10.07 in
Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Etching
Previously Available Items
Young man looking down to right, fr Small Studies of Heads in Oriental Headdress
By Giovanni Benedetto Castiglione
Located in Middletown, NY
Etching on tissue thin laid paper. 4 3/8 x 3 1/16 inches (110 x 78 mm), trimmed at plate mark. A very good, well inked impression. Only known state. Adhered at all four corners to ar...
Category
Mid-17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Handmade Paper, Tissue Paper, Etching
Giovanni Benedetto Castiglione figurative prints for sale on 1stDibs.
Find a wide variety of authentic Giovanni Benedetto Castiglione figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Giovanni Benedetto Castiglione in etching, laid paper, paper and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Giovanni Benedetto Castiglione figurative prints, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of Giovan Battista Falda, Francesco Cecchini, and Jacques Callot. Giovanni Benedetto Castiglione figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $6,000, while the average work can sell for $2,063.