Giovanni Benedetto Castiglione Figurative Prints
Italian, 1609-1609
Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van Rijn's etchings, Castiglione probably invented the monotype. Also admired for his fluent brush drawings in oil on paper, Castiglione influenced artists throughout Europe and virtually every Italian printmaker who followed. Despite his easy-going nature, his last works were intense, ecstatic compositions, reminiscent of Gian Lorenzo Bernini's contemporary style.
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Artist: Giovanni Benedetto Castiglione
Young man looking down to right, fr Small Studies of Heads in Oriental Headdress
By Giovanni Benedetto Castiglione
Located in Middletown, NY
Etching on tissue thin laid paper. 4 3/8 x 3 1/16 inches (110 x 78 mm), trimmed at plate mark. A very good, well inked impression. Only known state. Adhered at all four corners to ar...
Category
Mid-17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Handmade Paper, Laid Paper, Tissue Paper, Etching
Figure with Their Head Leaning Against...- Etching by Castiglione - 17th Century
By Giovanni Benedetto Castiglione
Located in Roma, IT
Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads
Good condition.
Ref. Bartsch 46.43
Category
17th Century Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
By Giovanni Benedetto Castiglione
Located in Chicago, IL
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50
Etching on laid paper
152 x 184 mm.; 6 x 7 1/4 inches
References:
Bellini 45
Bartsch 52
Note...
Category
17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Laid Paper, Etching
17th century etching baroque portrait male subject hat realistic print
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings.
4 x 3.5 inches, image
15.25 x 13.25 inches, frame
Inscribed "GC" in the plate, lower left
This impression is from the edition ca. 1825 from the original plate of ca. 1635.
Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...
Category
17th Century Baroque Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
17th century etching black and white landscape forest trees satyr goats
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...
Category
Mid-17th Century Old Masters Giovanni Benedetto Castiglione Figurative Prints
Materials
Etching
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Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
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Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
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Giovanni Benedetto Castiglione figurative prints for sale on 1stDibs.
Find a wide variety of authentic Giovanni Benedetto Castiglione figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Giovanni Benedetto Castiglione in etching, laid paper, paper and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Giovanni Benedetto Castiglione figurative prints, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of Giovan Battista Falda, Francesco Cecchini, and Jacques Callot. Giovanni Benedetto Castiglione figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $6,000, while the average work can sell for $2,063.