Skip to main content

Giovanni Elia Morghen Animal Prints

Italian, 1717-1789

Giovanni Elia Morghen came from a family of engravers in Florence. According to the testimony of Raphael, the most illustrious member of the family, his grandfather was originally from Montpellier and, after marrying a Genoese woman, he moved to Florence, where he opened a lace shop. Both their sons, Giovanni Elia and Filippo, specialized in chalcographic art. Giovanni was predominantly a draftsman, whilst Filippo mastered the art of carving. In Florence, Giovanni Elia Morghen was a pupil of Giovan Domenico Ferretti, and he probably also worked at the workshop of Carlo Bartolomeo Gregori. Indeed, he, with the other artists of the school, made 26 of the engravings present in the second Florentine edition (1766) of the Salon paintings at Riccardi Medici Palace. He then moved to Naples with his brother. From 1756, he began participating in the creation of the tables of the Antiquities of Herculaneum, a work of several volumes published in Naples with various interruptions in the late nineteenth century. In 1767, he published six tables with representations of the temples of Paestum, taken from drawings by Antonio Joli. He also took part in the editorial venture of Pietro Paolo Montagnani, aimed at reproducing the paintings of Vatican environments in Rome, contributing to the 1789 volume.

to
2
5
2
Overall Width
to
Overall Height
to
7
50
201
189
105
103
7
7
5
2
6
3
3
2
1
1
1
1
1
1
1
1
1
7
Artist: Giovanni Elia Morghen
Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Frescofrom the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good ...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Elia Morghen in the 18th Century. Signed on the plate. Good ...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good condi...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed in the plate. Good condi...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good condi...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Elia Morghen in the 18th Century. Signed on the plate. Good ...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Etching G. Morghen - 18th Century
By Giovanni Elia Morghen
Located in Roma, IT
Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Goo...
Category

Late 18th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Etching

Related Items
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Giovanni Elia Morghen Animal Prints

Materials

Etching

Leonor Fini - Cats - Original Etching
Leonor Fini - Cats - Original Etching
$1,403
H 17.33 in W 11.03 in D 0.04 in
Birds - XXI century, Figurative print, Black and white, Animals
By Anna Mikke
Located in Warsaw, PL
Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
Category

2010s Other Art Style Giovanni Elia Morghen Animal Prints

Materials

Paper, Etching

Salvador Dali - The Oak and the Reed - Signed Engraving
By Salvador Dalí­
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...
Category

1970s Surrealist Giovanni Elia Morghen Animal Prints

Materials

Drypoint, Aquatint

Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in market
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Category

1980s Pop Art Giovanni Elia Morghen Animal Prints

Materials

Ink, Pencil, Graphite, Etching, Aquatint, Mixed Media

"Under the skin III" Mexican artist large mixed media woodcut etching serigraph
Located in Miami, FL
Amador Montes (Mexico, 1975) 'Debajo de la piel III', 2021 Mixed media, etching, aquatint woodcut on paper 49 x 118 in. (124 x 300 cm.) Edition of 30 Re...
Category

2010s Contemporary Giovanni Elia Morghen Animal Prints

Materials

Paper, Ink, Etching, Aquatint, Screen, Woodcut

A Wild Boar, and a Bear, from Animalium Quadrupedum
By Adriaen Collaert
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category

16th Century Old Masters Giovanni Elia Morghen Animal Prints

Materials

Laid Paper, Engraving

El Pez (14/30)
By Francisco Toledo
Located in San Francisco, CA
Francisco Toledo El Pez, 1976 Etching in colors, on Rives BFK paper Unframed dimensions: 14.87 x 11.12 inches Framed dimensions: 31 x 24 inches Edition 14/30
Category

1970s Modern Giovanni Elia Morghen Animal Prints

Materials

Paper, Etching

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
By Eugène Delacroix
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category

Early 19th Century Realist Giovanni Elia Morghen Animal Prints

Materials

Laid Paper, Drypoint, Etching

Kerr Eby Shepherd and His Flock
By Kerr Eby
Located in San Francisco, CA
Kerr Eby: 1889-1946. Very well listed Canadian American artist. He is best known as a printmaker for his fabulous etchings. He has auction results over $6300 for a single print. This...
Category

Early 20th Century Realist Giovanni Elia Morghen Animal Prints

Materials

Etching

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Giovanni Elia Morghen Animal Prints

Materials

Handmade Paper, Drypoint, Etching

Leda and the Swan
By Albert Decaris
Located in West Hollywood, CA
Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...
Category

1920s Giovanni Elia Morghen Animal Prints

Materials

Etching

Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Giovanni Elia Morghen Animal Prints

Materials

Etching

Giovanni Elia Morghen animal prints for sale on 1stDibs.

Find a wide variety of authentic Giovanni Elia Morghen animal prints available for sale on 1stDibs. You can also browse by medium to find art by Giovanni Elia Morghen in etching and more. Much of the original work by this artist or collective was created during the 18th century and is mostly associated with the Old Masters style. Not every interior allows for large Giovanni Elia Morghen animal prints, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of and George Edwards. Giovanni Elia Morghen animal prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $135 and tops out at $535, while the average work can sell for $446.

Recently Viewed

View All