Guy Bardone Still-life Prints

Lithograph on vélin du Marais paper. Inscription: Signed in the plate, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IV, N° 13, Novem...

Lithograph on vélin du Marais paper. Inscription: Signed and dated in plate, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 5-6,...

Lithograph on vélin du Marais paper. Inscription: Signed in the plate, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VI, N° 21-22, 19...

Lithograph on vélin du Marais paper. Inscription: Unsigned, as issued. Good condition; double spine centerfolds, as issued. Notes: From the volume, Verve: Revue Artistique et Littéra...

Lithograph on vélin du Marais paper. Inscription: Unsigned, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IV, N° 13, November 1945. P...

HOMAGE TO DE CHIRICO is an original, hand drawn, stone lithograph by the Italian artist Antonio Recalcati (1938-2022) printed in Paris France c. 1973 using hand lithography techniques on archival printmaking paper, 100% acid free. HOMAGE TO DE CHIRICO presents a surreal, landscape scene depicting an ancient Roman monument, empty town square with a lone shadowy figure visible in the upper window; a mysterious still life arrangement is set in the foreground with a ham? sandwich and drinking goblet positioned on the ground presenting a point of intrigue for the viewer. Print size - 20.25 x 28.75 in., unframed, very good condition, pencil signed by Antonio Recalcati, Printer's Proof dedicated "Pour Joseph"850 In 1973, Paris Recalcati painted a series of pictures titled “The Boheme de Chirico”. It is an unconventional and ironic reading of the great Giorgio de Chirico. The metaphysical monuments in the squares are transformed into physical objects such as a sandwich, macaroni dish, Parma ham, etc. The exhibition at the “Galérie Mathias Fels” in Paris received great success from the critics. The text in the exhibition catalogue is by Alain Jouffroy. President Georges Pompidou, had sent a jeep from Élysée Palace to have some paintings to view. Recalcati took up the theme of "ham" several times, for example in a painting from 1973, "La bohème de Chirico, place d'Italie" or in the work "Jambon de Paris" from 1972. Recalcati often exhibited in the 1970's in Italy, Paris, Caracas, and New York. During this time the 'Ham series' was created. About the artist - Antonio Recalcati (2 May 1938 – 4 December 2022) was an Italian painter and sculptor, born in a working-class family in Bresso, a suburb of Milan. Born in 1938 in Bresso, near Milan, who died on 4 December 2022, Antonio Recalcati was a major artist of the second half of the 20th century. Known first as a painter of the New Figuration in Paris, he was later more closely related to the movement of the Narrative Figuration. Without an artistic background, he was noted in the first half of the 1960s by his "Imprections" (Impronte), paintings made by applying directly to the canvas and in oil his own body or empty clothes (shirts, underpants, body jerseys). This process is then of total originality. It carries an unprecedented expressionist charge, and it becomes enigmatic when combined with abstract shapes or narrative devices (space of the canvas separated into several boxes, such as a page of comics). Exhibited both in Italy; in Paris in the salons and galleries (Gallery Mathias Fels, gallery Claude Levin, Galerie André Schoeller); in Brussels (Fragmy Gallery, Lanzberg Gallery); in New York (Odissey gallery); he participates in historical exhibitions such as: (Paris, 1964); and , During these same years, he befriended poets (Jacques Prévert) and novelists (Dino Buzatti), and he participated – with other artists such as Gilles Aillaud, Eduardo Arroyo, and Jean-Jacques Lebel – in several collective works that had become emblematic of the commitment of a new generation of painters: Grand Tableau...

Artist: Alexander Calder (1898-1976) Title: Soleil sur la Vagues (Red Sun Above the Waves) Year: 1976 Medium: Lithograph on Arches paper Size: 22.75 x 30.75 inches Condition: Excelle...

A dramatic gold - colored plumb bob, hanging against a backdrop of geometric drawings, is contrasted with the stars of the night sky. In the Greek Empire...

BUBBLE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches pa...

Lithograph on vélin du Marais paper. Inscription: Unsigned, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IV, N° 13, November 1945. P...

Lithograph on vélin du Marais paper. Inscription: Signed in the plate, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IV, N° 13, Novem...

LIGHT OF DISCOVERY is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. LIGHT OF DISCOVERY is a surrealist composition portraying a surreal landscape scene featuring a full, dark brownish black leafy tree positioned on stage like floor beside a single concrete sphere...