Hans Bellmer Nude Prints

Hans Bellmer, German (1902 - 1975) - Dress Shoes, Medium: Etching on Rives, signed and numbered in pencil, Edition: EA, Image Size: 7.25 x 3.25 inches, Size: 14.75 x 9.75 in. (37.47...

Hans Bellmer, 'The Modest Rose', engraving and drypoint, edition 99, 1971. Signed and numbered '99/99' in pencil. A fine, richly-inked impression, on Arches cream wove paper; the ful...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes matting. Hans Bellmer was a German artist, who, when...

Hans BELLMER Carnal Pleasure Original etching, 1973 Handsigned in pencil by the artist Numbered / 20 (Roman numerals) On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the Po...

Hans BELLMER The Lovers Original etching, 1973 Handsigned in pencil by the artist On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the Portfolio "Les Mystères du Confessionn...

Hans BELLMER Woman Original Etching Hand-Signed Edition: 108 / 150 Dimensions: 51 x 38 cm Circa 1970 Hans Bellmer was born in Kattowitz in 1902. At his father's insistence, he worked in a steel factory and a coal mine after finishing the examinations qualifying for university admittance. Nevertheless, Bellmer managed to do some art work and exhibit it in Poland in 1922/23. The work led to his arrest. While studying engineering at Berlin Polytechnic, Hans Bellmer met John Heartfield, Rudolf Schlichter and George Grosz. In 1924 Bellmer dropped out of engineering, worked as a book printer and then as an illustrator for Malik Verlag. That winter Bellmer took his first trip to Paris. After his marriage in 1927, Hans Bellmer worked as a commercial artist, attended lectures at the Bauhaus in the early 1930s and travelled to Italy and Tunisia. He refused to continue working as a sign of resistance to Fascism in 1933. To show his repudiation of Fascism and the aesthetic it propagated, Hans Bellmer began to construct girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, others appeared in the Surrealist journal "Le Minotaure", ensuring Bellmer important ranking among Paris Surrealists...

Hans Bellmer - Rare Original Signed Lithograph Signed with Pencil Edition: 31/120 Dimensions: 48 x 48 cm Hans Bellmer A German born artist and photographer, Hans Bellmar is considered as having a surrealist style in photography by historians of the two mentioned fields. Until 1926 that is at the age of 24, Bellmer worked at his personal advertising firm as a draftsman. The artist is known for his project on mutated body forms of dolls and their unusual poses; in order to combat the fascism being imposed on people by the Nazis. Bellmer’s influence was from Oskar Kokoschka’s letters published in print. Kokoschka was an Austrian poet and artist. In 1933, he produced the first doll that was 56 inches in heights made from flax fiber using plaster and glue. In 1934, he documented various parts of the dolls in a single photograph and later on produced photos of such nature. In the same year, he published a book titled, Die Puppe meaning The Doll. It includes ten monochrome photograph’s of the doll Bellmer initially composed in tableaux vivants. At the time, his work was acknowledged in the art culture of Parisan, particularly among the Surrealists. This was because Bellmer’s photography and art referred to sexuality and beauty of women. His work was featured in Minotaure, a journal on surrealism. The book was anonymous with no identity of the photographer. However, in 1938 due to the content of the images and the purpose, the Nazis labeled his work as degenerated art. This meant that anybody producing modern art will be sanctioned, and Bellmer was forced to leave Germany, thus he headed towards France. Once the war was over, Bellmer lived in Paris forever. He then quit making dolls and turned towards creating erotic etchings, drawings, paintings, pornographic photography and teenage girl prints. In 1975,Hans Bellmer said goodbye to this world and died from cancer. He was buried at Père Lachaise Cemetery. After his death, much happened concerning his work – most of the things were good and some were unfortunate for the popularity of his work. In 2001, one of the creatures from Silent Hill 2 (video game) resembled the dolls made by Bellmer. However, the designer of the monster claimed that the inspiration came from traditional folklore of Japan. Apparent references to Hans Bellmer’s art and photography were visible in Love Object, a film made in 2003. Moreover, a band from post punk era in New York, took its name from the works of Bellmer on his dolls and called their band Bellmer Dolls. A 2004 film, Ghost in the Shell...

Hans BELLMER She is Sitting 1973(& Original Etching Signed in crayon Edition limited to 40 copies numbered in crayon Dimensions: 51 x 38 cm References: Lithograph referenced in the catalogue raisonné Flahutez n°97. Hans Bellmer was born in Kattowitz in 1902. At his father's insistence, he worked in a steel factory and a coal mine after finishing the examinations qualifying for university admittance. Nevertheless, Bellmer managed to do some art work and exhibit it in Poland in 1922/23. The work led to his arrest. While studying engineering at Berlin Polytechnic, Hans Bellmer met John Heartfield, Rudolf Schlichter and George Grosz. In 1924 Bellmer dropped out of engineering, worked as a book printer and then as an illustrator for Malik Verlag. That winter Bellmer took his first trip to Paris. After his marriage in 1927, Hans Bellmer worked as a commercial artist, attended lectures at the Bauhaus in the early 1930s and travelled to Italy and Tunisia. He refused to continue working as a sign of resistance to Fascism in 1933. To show his repudiation of Fascism and the aesthetic it propagated, Hans Bellmer began to construct girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, others appeared in the Surrealist journal "Le Minotaure", ensuring Bellmer important ranking among Paris Surrealists...