Inji EFFLATOUN Abstract Drawings and Watercolors
Egyptian, 1924-1989
Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of the Avant grade "Art and Freedom Group". This was the first society that attempted to free modern Egyptian art from the bonds of academism and formalism prevailing then.
In March 1952, she had her first one-person exhibition in Cairo and since then, she held 28 solo shows in Egypt and abroad. She has exhibited in Rome in 1967, at the "Paese Nove" gallery, in Paris at the "Galerie de l’Universite" in Dresden, East Germany, Warsaw, Poland, Moscow, and Prague. She held a one-person show in 1979, in New Delhi, India, in 1981 at the Egyptian Academy in Rome, and in 1988 in Kuwait. She has also participated in group exhibitions such as the Biennale of Sao Paolo in 1953, the Biennale of Venice in 1968, and the Contemporary Egyptian Art exhibition in Paris in 1971.
In 1975, Mrs. Eflatoun helped organize the "Ten Egyptian Woman Artist in half a Century" exhibition, held in Cairo on the occasion of the International year for woman, and in which she took part. In 1976 she was in charge of the Egyptian Pavillion at the 87th "Salon des Independants" in Paris, in the Grand Palais.
The artist’s works were acquired by the Modern art Museum in Cairo, in Alexandria, and in Dresden, the National Museum in Warsaw and by the Oriental Museum in Sophia, the Pushkin Museum in Sophia, the Pushkin Museum in Moscow, the Italian Deputies Council and by private collectors in Egypt and abroad.
In 1986, she was awarded by the French Ministry of Culture a medal of merit called "Cavalier of the Arts and Literature".
Inji Eflatoun died in 1989.to
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Artist: Inji EFFLATOUN
"Dune I" Watercolor on Paper Painting 10" x 12" in (1977) by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Dune I" Watercolor on Paper Painting 10" x 12" in (1977) by Inji Efflatoun
signed & dated
Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibi...
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"Upper Egypt Musician" Figurative Drawing 13 x 9 in (c. 1970) by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Upper Egypt Musician" Figurative Drawing 13 x 9 in (c. 1970) by Inji Efflatoun
Stamped
Unique work.
Inji Eflatoun pursued free studies in art. Since 19...
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20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
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"Seated Prisoner VI" Pencil on Paper Drawing 7.5" x 11" in by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Seated Prisoner VI" Pencil on Paper Drawing 7.5" x 11" in by Inji Efflatoun
Stamped
From the "Prison Period"
After transformative incident, Inji’s resolve to play a leading role ...
Category
20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Archival Paper, Pencil
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Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
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Master of Fine Arts in Painting
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Columbia University, School of Architecture
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This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors.
About the artist:
Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.
Artist Statement:
I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Resume:
EDUCATION
Master of Fine Arts in Painting
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More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
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Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
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Invitational Award for Outstanding Contemporary Talent,
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Honorable Mention, “National Juried Exhibition”
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2012
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“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
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Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
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“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
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“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
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2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
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“The Love Show”, Manchester Community College, Manchester, CT
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“Girl Art Now”,Hera Gallery, Wakefield, RI
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Halpert Bienniel, Appalachian State University, Boone, NC
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“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Blue Mother Drawing #2 (Geometric Abstract Watercolor Painting in Blue & Black)
By Jeanette Fintz
Located in Hudson, NY
Blue Mother Drawing #2, by Jeanette Fintz in 2020
22 x 30 inches watercolor, gouache on Fabriano paper
Signed lower right corner
Framed: 32 x 39.5 inches, custom white frame, 8 ply w...
Category
2010s Abstract Geometric Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Watercolor, Gouache, Archival Paper
Previously Available Items
"Dinshaway Massacre VI" Pencil on Paper Drawing 7.5" x 11" in by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Dinshaway Massacre VI" Pencil on Paper Drawing 7.5" x 11" in by Inji Efflatoun
Stamped
From the "Prison Period"
After transformative incident, Inji’s resolve to play a leading ro...
Category
20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Archival Paper, Pencil
"Sarlat II" Watercolor on Paper 12" x 8" inch by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Sarlat II" Watercolor on Paper 12" x 8" inch by Inji Efflatoun
circa1950
Signed
Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of ...
Category
20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Watercolor, Archival Paper
"Au Marche" Inks on Paper 8" x 12" inch (1983) by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Au Marche" Inks on Paper 8" x 12" inch (1983) by Inji Efflatoun
Signed and dated
Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of...
Category
20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Watercolor, Archival Paper
"Sarlat" Watercolor on Paper 16" x 12" inch (1985) by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Sarlat" Watercolor on Paper 16" x 12" inch (1985) by Inji Efflatoun
1985
signed & dated
Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibiti...
Category
20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Watercolor, Archival Paper
"Harvest" Pencil Drawing 8" x 12" in by Inji Efflatoun
By Inji Efflatoun
Located in Culver City, CA
"Harvest" Pencil Drawing 8" x 12" in by Inji Efflatoun
Stamped
Unique work.
Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of the Av...
Category
20th Century Post-War Inji EFFLATOUN Abstract Drawings and Watercolors
Materials
Archival Paper, Pencil
Inji Efflatoun abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Inji EFFLATOUN abstract drawings and watercolors available for sale on 1stDibs. You can also browse by medium to find art by Inji EFFLATOUN in archival paper, paper, paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the post-war style. Not every interior allows for large Inji EFFLATOUN abstract drawings and watercolors, so small editions measuring 8 inches across are available. Inji EFFLATOUN abstract drawings and watercolors prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,700 and tops out at $13,000, while the average work can sell for $11,000.