Irene Rice Pereira Art
American, 1902-1971
Born Irene Rice, she took the name of her first husband, the commercial artist Umberto Pereira. She adopted the name I. Rice Pereira because then as now discrimination beset women in the arts. By the time war broke out Irene had divorced Pereira and married George Wellington Brown, a marine engineer from a prominent Boston family. Brown was an ingenious experimenter with materials, and he encouraged his petite new wife in their mutual passion for experimentation. Pereira in the 1930s was drawn to ships, not only because of George Brown, but because of their intricate machinery, their functional beauty. The inside-out infrastructure of the Pompidou museum in Paris amused Pereira, although she thought it art-historically tardy.
Irene Rice Pereira was a lovely, fragile being. Her presence was hushed. She spoke almost in a whisper and listened far more than she spoke. She was a prodigious autodidact and a spellbinding lecturer. The main body of her metaphysical library today resides in the Museum for Women in the Arts in Washington, D.C. Her papers and the manuscript for her still unpublished book, Eastward Journey, are available to scholars in the Schlesinger Library at Harvard.
Pereira won recognition for her abstract geometric work, particularly her jewel-like works on fluted and coruscated layers of glass, throughout the 1940s and early 1950s. In 1953 the Whitney Museum, then in Greenwich Village, gave her a retrospective exhibition with Loren MacIver, and that same year Life magazine published a centerfold photo examination of her work.
By the late 1950s Abstract Expressionism had swept Manhattan, flattening such nascent movements as Geometric Abstraction. Such artists as Stuart Davis, Stanton MacDonald Wright, George L.K. Morris, George Ault, Jan Matulka, Richard Leahy, Philip Guston and many others were eclipsed. Pereira believed that a European angst, brought to our shores in the wake of the Holocaust, had introduced a cynicism and a profoundly anti-female sensibility that boded ill for art in America. Rightly she pointed out that even when the works of women were acquired by museums they were rarely shown, a disgrace that persists to this day. The women who did achieve success, she said, were often collaborators with more famous male artists and tastemakers.
Pereira died in 1971 in Marbella, Spain, ill and broken-hearted. She had been evicted from the Fifteenth Street studio in Chelsea where she had painted for more than thirty years. Suffering from severe emphysema, she could barely negotiate a few stairs.
But by the 1980s a new generation of women scholars and curators had begun to resurrect her stature. A considerable following has formed to honor a pioneer artist who cared about other artists and willingly paid the price to denounce what others feared in silence. Indeed when Pereira sold a painting she had two immediate impulses: buy a new hat, and give the money to an artist friend in trouble. She loved hats but loved to help fellow artists even more.(Biography provided by Helicline Fine Art)
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Artist: Irene Rice Pereira
Dealer: Helicline Fine Art
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
By Irene Rice Pereira
Located in New York, NY
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
Irene Rice Pereira (1902-1971)
Abstract
12 x 6 1/2 inches
Watercolor, gouache, and ink on black paper
...
Category
1950s Abstract Irene Rice Pereira Art
Materials
Paper, Watercolor, Gouache
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
By Irene Rice Pereira
Located in New York, NY
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
Irene Rice Pereira (1902-1971)
Abstract
8 1/2 x 5 1/2 inches
Watercolor, gouache, and ink on black pap...
Category
1950s Abstract Irene Rice Pereira Art
Materials
Paper, Watercolor, Gouache
Radiant Reflections Abstract 1950s Oil Mid 20th Century American Woman Artist
By Irene Rice Pereira
Located in New York, NY
Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right.
Provenance:
Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation).
Sothebys American art sale October 10, 2008.
The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston.
BIO
Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project...
Category
1950s Abstract Irene Rice Pereira Art
Materials
Canvas, Oil
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Irene Rice Pereira art for sale on 1stDibs.
Find a wide variety of authentic Irene Rice Pereira art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Irene Rice Pereira in paint, paper, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Irene Rice Pereira art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Edmund Quincy, Sue Bartfield, and Hildegarde Haas. Irene Rice Pereira art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,000 and tops out at $29,000, while the average work can sell for $5,500.