Israel Silvestre Prints and Multiples

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

Two images of Queen Catharina of Braganza; one before her marriage to King Charles II, the other after, as Queen of Great Britian. Engraved by Matthiäus Merian, father of Maria Sybli...

17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Assassinat De Basseville à Rome is an original black and white etching realized by Pierre Gabriel Berthault, after Jacques François Joseph Swebach-Desfontaines in 1793. Title with caption on plate on the lower center: "Assassinat de Basseville, à Rome/ le 13 Janvier 1793, ou 23 Nivose An Ier de la République". Below the image on the lower margin, "Swebach Desfontaines onv. et del. / Berthault sculp." is etched on plate. This modern artwork is numbered "N. 76", because it is from the series Les Tableaux historiques de la Révolution française. As a matter of fact, Pierre-Gabriel Berthault is well-known for having engraved plates from this collection with the collaboration of the engraver Jean Duplessis-Bertaux. A work - hanging in the balance between news and history - with illustrations of salient or minimal events occurred during the French Revolution. As a celebration of the new ideals of brotherhood, justice, and equality, Les Tableaux immediately became a point of reference for journalism at the time. Of traditional cut, namely showing a view with many human figures, the engraving simplified the lines to be immediately readable for the general public. In our specific case, this original print represents the murder of Hugou de Bassville or Basseville (7 February, 1743 – 13 January, 1793), a French journalist and diplomatist, and protector of the radical Jacobins in Rome. In excellent conditions, except for a usual yellowing of the paper on the edges and a light trace of oxidations on the lower and right margins, beyond the marginal line of the matrix. Pierre-Gabriel Berthault (Saint-Maur-des-Fossés, 1737 - Paris, 1831) was a French master who made engravings from drawings by Jean-Claude Richard de Saint-Non (known as the Abbot of Saint-Non) and from paintings by Louis François Cassas. He depicted many views of Italy and created the collections Voyage à Naples and Voyage pittoresque de la Syrie, de la Palestine et de la basse-Egypte. Before the French Revolution, he was famous for being the author of the Vues intérieures de Paris and for tables with architectural elevations.

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...