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Jaro Fabry Portrait Drawings and Watercolors

American, 1912-1953

Jaro Fabry was an artist and illustrator, working primarily in Hollywood from the 1930s until his death. He was a brilliant illustrator with a defined style of his own. There is not a brushstroke out of place in his works that appear loosely rendered. He was best known for his depiction of the Golden Age of Hollywood. Fabry’s work had appeared in The New Yorker, Collier's and many other popular magazines.

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Artist: Jaro Fabry
Art Deco Glamour illustration, Golden Age of Hollywood
By Jaro Fabry
Located in Miami, FL
Caption: "He proposed this morning right after the alarm clock went off." From the Estate of Charles Martignette Signed lower center unframed
Category

1940s Art Deco Jaro Fabry Portrait Drawings and Watercolors

Materials

Ink, Watercolor

Woman with a butterfly in her hat. Colliers Magazine Cover
By Jaro Fabry
Located in Miami, FL
A wonderful and charming cover concept as an attractive young women stares at a beautiful butterfly caught in the netting of her hat. Fabry executes the work with his stylised loos...
Category

1930s Art Deco Jaro Fabry Portrait Drawings and Watercolors

Materials

Watercolor, Gouache

Drunk man at party, Golden Age of Hollywood
By Jaro Fabry
Located in Miami, FL
During the Golden Age of Hollywood no illustrator chronicled the great stars, pin-ups and good girls better than Jaro Fabry, Work is Framed i...
Category

1940s Post-Impressionist Jaro Fabry Portrait Drawings and Watercolors

Materials

Watercolor

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The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. 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Jaro Fabry portrait drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Jaro Fabry portrait drawings and watercolors available for sale on 1stDibs. If you’re browsing the collection of portrait drawings and watercolors to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of green, purple and other colors. You can also browse by medium to find art by Jaro Fabry in paint, watercolor, gouache and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Art Deco style. Not every interior allows for large Jaro Fabry portrait drawings and watercolors, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Antonio Lopez, Michael William Eggleston, and Jean Cocteau. Jaro Fabry portrait drawings and watercolors prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $14,000 and tops out at $29,000, while the average work can sell for $14,000.

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