Jean Carzou Landscape Prints

Arches Poster Paper - Perfect Condition A+ When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...

Artist: Gloria Vanderbilt, American (1924 - ) Title: Autumn Year: circa 1970 Medium: Silkscreen on Arches Paper, Signed and numbered in Pencil Edition: 250 Size: 31 in. x 24 in. (78....

Color lithograph, 1973. 750x1090 mm; 29 1/2x43 inches, full margins. Signed, dated and numbered 75/150 in pencil, lower margin. An excellent impression.

Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper Dramatic street scene with a man wearing a trench coat and hat by Robert J We...

Wandering monks in the courtyard of Konoura is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1840s. Good impression with reduced palette mainly in...

In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...

This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...

This artwork "Landscape with Deer Herds" c.1970 is an original color lithograph by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sig...

Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.

Jean-Pierre Cassigneul was born in 1935 and first exhibited his work at age 17. He went on to participate in various group exhibitions, including the Salon d’Automne in Paris, the Sa...

Asagiri is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

This original signed lithograph print by George Elbert Burr (1859-1939) features a serene winter landscape with snow-covered trees, capturing the tranquil beauty of nature in a crisp winter scene. Known for his etchings and prints, Burr’s lithograph technique beautifully reflects his mastery in portraying the delicate interplay of light, snow, and shadows in the landscape. The print is signed by the artist and is presented in a custom frame with archival materials for long-lasting preservation. The framed dimensions measure 15 x 17 ¾ inches, with the image size itself being 7 ¼ x 10 ¼ inches. About the Artist: George Elbert Burr was a prolific American artist born in Monroe Falls, Ohio, in 1859. From an early age, Burr showed a passion for art, creating his first etchings using zinc scraps found in his father’s hardware store. Despite limited formal training—attending the Art Institute of Chicago for only a short period—Burr developed a unique and impactful style, focusing on etchings, lithographs, and illustrations. His early works often reflected the rural landscapes of Missouri, which he sketched during his travels on a railway pass. Burr gained recognition as an illustrator, working with notable publications like Scribner’s, Harper’s, and The Observer. In 1892, he began a monumental project illustrating the Metropolitan Museum of Art’s catalog of Heber R. Bishop’s jade collection, completing approximately 1,000 etchings. From 1896 to 1901, Burr and his wife traveled extensively across Europe, capturing landscapes and scenes from Sicily to North Wales. In 1906, Burr moved to Denver, Colorado, where he created the Mountain Moods series and began to document the American Southwest. His work often featured the rugged beauty of the Arizona desert and the New Mexico landscape. Burr’s Desert Set...