Jennifer Lin Figurative Photography

Sumo, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary color photograph 23.5" x 16.5" printed on handmade Awagami Japanese paper by the artist. The archival pigment print is: E...

Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the phot...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

"No title (No 21)" Ballet Photography 32x32 in Ed. of 25 by Yevgeniy Repiashenko No title (No 21) Photography Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko Year photo was taken: 2016 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer. Black body make-up is put on the dancer's body. Photography on Diasec and Dibond This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...

Art Shay Fallen Starr, 1966 archival pigment print 17h x 22w in 43.18h x 55.88w cm ASY234 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart...

Nesting Tree Study #2 by Keith Carter presents a group of white egrets perched in a grove of bald cypress trees. The branches hold nests for the birds, creating a habitat in the swampy landscape of the Big Thicket. Edition 8 of 25 Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghostlight Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

Romantic Couple - Signed limited edition archival pigment print 1988, Edition of 10 This image was captured on film in Paris in 1988. The negativ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Cara ‘ Photographed in Paris, this is...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5 CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be afte...

Wrestling action is captured in this multi-framed photography by Art Shay. Five frames show the take down and the referee's decision. The photo is matted with a heavy white mat, si...

A woman floats in a pool with her dark hair trailing behind her. Her dark cat shaped sunglasses and checked bathing suit are reminiscent of a bygone era. This photograph is unframed. Please contact the gallery for framing options. Kirill Polevoy Floating Sasha, Montana archival pigment print 30h x 40w in 76.20h x 101.60w cm 1/25 KIP037 “Through a black and white lens, hidden stories of everyday objects become apparent. The juxtaposition of strong light and dark shadows transform and illuminate detail that would otherwise be dismissed. Diminutive elements become rich in meaning allowing compositions to effortlessly evolve. As I attempt to uncover the hidden truth of the world around me, I am inevitably mesmerized by it and I hope you will be too.” A self-taught photographer, Kirill Polevoy, first started making photographs with an old Russian film camera...

The photographer walks cities with his Leica camera capturing unexpected moments. His brand of street photography is sometimes poignant and sometimes hum...