John Bainbridge Art

Nine late nineteenth century woodblock prints of birds. Meiji Period. Held in Giltwood frames with wash mounts.

Ernst Fuchs (Austrian, 1930 - 2015) Sphinx in Pharao Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

A group of four late eighteenth century hand-coloured engravings depicting monkeys. Set within giltwood frames From “Histoire Naturelle des Singes et des Makis Peintres d’après Natu...

Koichi Sakamoto (Japanese, 1932) Thatched Cottages with Mountains beyond • Mezzotinto etching, sheet ca. 35 x 55 cm • Plate ca. 20 x 39.5 cm • Signed bottom right • Edition 11/80 (...

A poster by Erik Nitsche advertising General Dynamics' exhibition "Dynamic America" held 1961 in the newly renovated General Dynamics Building (formerly the Time-Life Building) at the Rockefeller Plaza in New York where the company promoted its achievements. The background to this poster is GD's division Stromberg-Carlson, a telecommunications equipment and electronics manufacturing company, founded 1895 in Chicago and acquired 1955 by General Dynamics (resold 1982). The two Swedish Immigrants started to improve Graham Bell...

A poster by Erik Nitsche advertising General Dynamics' exhibition "Dynamic America" held 1961 at the Rockefeller Plaza in New York where the company promoted its achievements. The background to this poster is the launch 1897 of the "Holland", United States Navy's first submarine, by the John P. Holland Torpedo Boat Company, predecessor of Electric Boat...

Johannes Sadeler I (Flemish, ∗ 1550 in Brussels, Belgium – † 1600 Venice, Italy) Jonah Spat Up by the Whale (Sheet II) Engraved by Sadeler after an image created by Theodor Bernard...

Wonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...

Original Vintage Poster in bright and crisp colors by the Dutch graphic design legend Wim Crouwel, advertising rather the museum's collection of works by...

Original Swiss Exhibition poster by Hermann Eidenbenz (lithograph, printed by Art. Institut Grafica in Basel) advertising a show of the Basel section ...

François Nicolas Martinet (French, 1731 - c. 1800) Le Pigeon Ramier de Madacascar (The Wood Pigeon of Madagascar) • 18th century hand colored Copper Plate engraving • Plate No. 192 from : L' Histoir e des oiseaux, peints dans leurs aspects apparents et sensibles, published in 1790 (“The History of the Birds, painted in their appearing and sensitive aspects“) • Glased & ebonized hardwood frame contemporary to the engraving, ca. 43 x 33 cm Worldwide shipping is complimentary - There are no charges for handling & delivery. A rare pigeon print...

Blue Giant, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. This limited edition Giclée print on archival cotton paper presents an abstract artwork that captures the viewer's attention. The composition features a captivating arrangement of geometric shapes, both regular and irregular, spread across the canvas. These shapes create a dynamic and visually intriguing pattern that invites the observer to explore the painting further. A vivid and lively palette of colors adorns the artwork, with hues of blue, green, black, orange, yellow, white, fuchsia, and a light blue background. These vibrant colors blend harmoniously, adding depth and energy to the piece. The artist's skillful use of color evokes a sense of excitement and wonder. As viewers engage with the artwork, they are encouraged to use their imagination and interpret the title of the piece, "Blue Giant." The title sparks curiosity and invites contemplation about the significance of the blue giant, leaving room for personal interpretation and exploration. This abstract painting is presented in a fine art manner, with careful attention to detail and composition. The deliberate placement of shapes and the use of vibrant colors create a visually striking and thought-provoking experience for the viewer. It is a testament to the artist's creativity and skill in conveying emotions and concepts through abstract forms. Blue Giant, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 33 x 40 Inches Edition 1 of 5 + 2AP Limited Edition Print Signed by the artist ____________ About the Artist Francisca Oyhanarte...