John Scott Martin More Prints

DAVIES, Peter (b.1953) Tregenna Roofs (St. Ives) 2011 Linocut 4/6 26.0 x 34.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used ...

David Shrigley You are not alone, 2014 Linocut on wove paper 31 x 21 cm (image) 39 x 29 cm (paper) Edition 42 of 100 signed and numbered by the artist published by Schafer Editions ...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Linocut on 300gsm Somerset paper. Paper size: 44 x 57 cm Edition of 100 Hand-signed and numbered by the artist published by Schafer Editions and comes with publisher COA David Shrig...

David Shrigley Small Print, 2023 Linocut on Somerset 300 gsm paper Signed by the artist and numbered, on verso 10.5 x 10.5 cm (4 1/8 x 4 1/8 in) Edition 51 of 100 published by Schaf...

David Shrigley I am the Moth, You are the Flame, 2022 Linocut on Somerset Tub Sized 300gsm paper Signed by the artist and numbered 65 x 50 cm (25 5/8 x 19 3/4 in) Edition 23 of 100 ...

MALCOLM X SPEAKS FOR US is a hand pulled, original limited edition relief print created using linocut printmaking techniques on white archival heavyweight Somerset paper 500 gsm., 100% acid free. Printed at J K Fine Art Editions Co. MALCOLM X SPEAKS FOR US is an impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, created as a tribute to the slain militant black activist...

DAVIES, Peter (b.1953) ‘The Godrevy Window’ 2010 Linocut 3/8 20.5 x 30.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechan...

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...

linocut, edition of 15 The artwork is shipped unframed and measures 36in x 24in. Please message us directly if you are interested in custom framing for your print. Bio // Jesse Sha...

linocut, edition of 15 The artwork measures 36"h x 24"w and ships unframed. Bio // Jesse Shaw (b.1980) is a printmaker from Tennessee primarily working in relief prints carved from...

DAVIES, Peter (b.1953) ‘Sandy Harbour’ 2008 Linocut 3/8 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...