Joseph Desler Costa Color Photography

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 48 x 75 inches (122 x 191cm) edition of 7 signed 25 x 40 inches (64 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by artist on certificate label Frank Schott was born in Germany where he spends nights shooting the great bands and musicians of the 80s, while attending the Academy of Arts in Cologne under Professor Arno Jansen. His early photography work focuses on beauty and fashion, later evolving to include conceptual landscapes and large scale environments, while never losing the eye for details. In 1998 Frank moves to California. He draws inspiration from the epic landscapes and distinct architecture of the American West as much as from his travels abroad. Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2" L prints & 4" XL prints...

Addisonjones artwork, Etched Ash contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia wa...

large format photograph of iconic blimp shaped zeppelin airship Zeppelin by Christian Stoll 28 x 40 inches (71 x 102cm) edition of 25 signed ...

Slide by Julie Blackmon is from an ongoing series titled Home Grown According to the Los Angeles Times, Blackmon's images are “absorbing, meticulously orchestrated slices of ethnogr...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Babysitter, 2006 by Julie Blackmon is from her ongoing series Domestic Vacations. The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refe...

Addisonjones artwork, Smelting Serif contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalg...

Addisonjones artwork, Mystic Motley contemporary artwork customs available A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a ...

Addisonjones artwork, Rise Up contemporary artwork A R T I S T S T O R Y: “As I walked back through the fields of my grandparents' farm before we sold it, a sense of nostalgia washed over me. Memories of my childhood flooded back, reminding me of the simpler times when I would visit Grandpa in his cabinet wood shop or swing on the porch with Grandma, watching the hummingbirds feed. Life was all about the simple moments, and while I often got bored, it forced me to contrast constant stimulation with a state of peace and freedom. This boredom expanded my creativity in different ways.” This stunning print printed on acrylic is a piece that captures the essence of the beauty of used material. These pieces have hardware on the back and ready to be hung.With only 25 prints available, this is an opportunity to add a truly unique piece to your collection. You can purchase individually or as a collection. ADDISON'S FINE ART PHOTOGRAPHY HISTORY: Addison’s earliest expedition into fine art photography was through her inspiration of adding prints to create depth and drama in showroom booth designs. These images were captured during her deeply personal journeys of exploration and were never meant to become a collection, but as interior designers expressed...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...