Julian Onderdonk Art

The father of Texas painting, Julian Onderdonk, "In the Catskill Mountain" landscape painting. Housed in a beautiful Mayen Olson frame.

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 19 x 22 Medium: Oil Dated 1909 "Near Lake Hopatcong, New Jersey" Julian Onderdonk (1882 - 1922) Known...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 10.75 x 13.75 Medium: Oil Dated 1910 "A Glowing Sky" SW Texas Julian Onderdonk (1882 - 1922) Known as...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil Dated 1910 "In The Land Of The Spanish Oak" Spectacular larger scene by Julian...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 17.5 x 20.5 Medium: Oil Dated 1909 "Road Through The Woods" Julian Onderdonk (1882 - 1922) Known as the "Bluebonnet Painter", Robert Julian Onderdonk was a Texan who spent his summer's in New York City and the remainder of the year in San Antonio. He earned his title from the many wildflower paintings he did of the flowering fields near his hometown. He was the son and art student of artist Robert Jenkins Onderdonk and the brother of Eleanor Onderdonk, also a prominent Texas painter, sculptor, and art administrator. In 1901, when he was nineteen, he went to New York and enrolled at the Art Students League and became a student of Kenyon Cox, Robert Henri, and Frank DuMond. He also studied with William Merritt Chase at Chase's summer school at Shinnecock on Long Island and the New York School of Art, and Chase had a continuing influence on his work. Ever in need of money to support his love of painting, Onderdonk took a temporary position in 1906 with the Dallas State Fair Association to put on an art exhibit, and three years later he took a job with them that lasted until until his premature death in 1922 at age forty. Onderdonk married in 1902, and when he returned to Texas in 1909, the New York art critics had become aware of him. Onderdonk would maintain a foothold in the art world there because his employment by the Dallas State Fair Association required him to return on a yearly basis to New York City. Even though the artist had never been a member, the National Academy of Design in New York City took the rather extraordinary step, upon his death, of exhibiting Onderdonk's last painting, "Dawn in the Hills". A fund-raising campaign in San Antonio purchased the painting for the city's art museum. Robert Julian Onderdonk was a member of the Allied Artists of America, Salmagundi Club and San Antonio Art League. His paintings are in the Dallas Museum of Fine Arts, Fort Worth Art Association, Museum of Fine Arts of Houston, San Antonio Museum Association and Stark Museum of Art, Orange, Texas "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New York City...