Karl Lindner (b.1871) Paintings

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

A nordic light nocturnal scene by Rolf Mellström (1896–1953) Two Eurasian woodcocks cross above the dark forest, their compact bodies reading as quick silhouettes against a late blue...

ROBERT KENNETH WHITE – "BEAR WATCHING" (aka "GRAND CRU CLASSÉ") ⚜ Oil on Canvas ⚜ Hand Signed Lower Right; Titled on Verso ⚜ Frameless Display A WHIMSICAL BLEND OF STRENGTH, GRACE, ...

ROBERT KENNETH WHITE – "VELVET WRINKLES" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless display ADORABLE SHAR PEI PORTRAIT BY ROBERT KENNETH WHITE In Velvet Wrinkles, Robert Kenneth White masterfully captures the irresistible charm of two Shar Pei puppies, their soft folds rendered with lifelike precision. The artist’s signature realism and attention to texture bring warmth, character, and humor to this endearing composition. Known for blending technical expertise with playful subject matter, White’s works are highly sought after by collectors of contemporary animal portraits. The puppies’ expressive gaze and meticulously painted wrinkles highlight the artist’s ability to elevate everyday subjects into captivating fine art. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, renowned for his lifelike portraits and charming animal studies ✓ Depicts two Shar Pei puppies with exceptional attention to texture, expression, and detail ✓ Ideal for collectors of dog art, photorealism, or contemporary figurative works ✓ Ready to hang or frame — perfect for home, office, or gallery display ARTWORK DETAILS: ▸ Title: "Velvet Wrinkles" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2019 ▸ Signature: Signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 20.125 x 24 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American painter celebrated for his detailed landscapes, atmospheric seascapes, and photorealistic animal portraits. Working primarily in oil, White combines technical precision with a painter’s sensitivity to mood and subject, often blending realism with gentle humor. Drawing inspiration from California’s coastal vistas, rural Americana, and domestic life, White’s works resonate with collectors seeking both aesthetic beauty and emotional connection. His signature style has earned comparisons to 20th-century realist painters such as Andrew Wyeth and John Register...

Deer in a Mountain Landscape Wenzel Karl-Heinz 1932 – ? 20th Century German Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Im...

Charming late 19th century oil on canvas of a pair of ducklings. Presented in a wooden gold frame. Unsigned. The stretcher with 'keys'. A warm and inviting painting beautifully executed and in great detail highlighting the soft downy feathers, the shiny beaks and the eye contact...

Very nice early Hunt Slonem of Doves with vintage frame selected by the artist

ROBERT KENNETH WHITE (B. 1950) – “DOG CART #6” Oil on Canvas ⚜ Hand Signed Lower Right and Titled on Verso ⚜ Frameless Display A CONTEMPLATIVE FIGURATIVE COMPOSITION WITH SURREAL UN...

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel. Later in his career, he focused on producing images of nudes and picturesque New Hampshire landscapes, and investigated the relationship between color and form. Prestopino exhibited at several biennials at the Corcoran Gallery, at the Art Institute of Chicago, the Museum of Modern Art. His work was frequently shown at the Pennsylvania Academy of Fine Arts, where he was awarded the Temple Gold Medal in 1946 and an additional prize in 1952. He was awarded a National Institute of Arts and Letter Grant in 1961, and in 1972 the National Academy of Design awarded him the Altman Figure Painting Award. Prestopino’s artistic cache skyrocketed when Life magazine published his images from New York’s maximum security institution Green Haven as part of its “Prison Series” in 1957. That same year his paintings and sketches of urban life were featured in the short film Harlem Wednesday. Directed by John and Faith Hubley...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...