Kelly Carmody Abstract Paintings

Vivid mid century landscape of autumn trees blurring into colorful abstraction by Helen Gleiforst (American, 1903-1997). Presented in a giltwood frame. Image size: 10" H X 8" W. G...

Palace of Fine Arts, San Francisco by Garrett Price (American, 1896-1979). Signed "Garrett" lower right. Unframed. Image size, 11.75"H x 15.25"W. G...

Woman and Child in the Woods - Midcentury Abstracted Landscape in Oil on Canvas Dramatic abstracted painting of a woman holding a child in the woods by Maley (20th Century). This pi...

Glowing Red Sunset - abstracted Landscape in Acrylic on Canvas Vibrant sunset by an unknown central California coast artist Maria Pavao Hadsell (Portugal/American). A glowing red sky is reflected in the foreground of this piece, implying a marsh or pond. Beyond the red foreground, there green and yellow transitions into blue mountains. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray Signed "M Pavao...

A gorgeous abstracted plein air landscape of the Australian countryside by California artist John Crawford (American, b. 1947). Painterly, loose brushstrokes in soft green shades dom...

Abstracted landscape of a monastery building with a bell and balcony by R. R Middlebrooks (American, 20th century). Signed "R. R. Middlebrooks" lower left. Titled "Monastery Bell...

You are viewing a modernist American acrylic painting depicting a charming but rundown seaside town at night. Robert Noel Blair (American, 1912-2003) was an American artist, paint...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Serene silhouetted landscape scene of a pueblo community against a beautiful pale blue and lavender sky by Duane Albert Armstrong (b. 1938). Black...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

The Surf at Newport (Rhode Island). c. 1906. Oil on canvas. 17 x 24 (framed 26 x 34). Lined; extensive craquelure; otherwise fine condition. Housed in an exceptional Louis XV (reviva...

Eagle Creek Trail, Columbia River Gorge, Oregon - Stylized Landscape in Acrylic Stylized landscape by Central Oregon artist Tirzah Lane (American, 20th Ce...