Leroy Neiman Prints and Multiples

Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, created using high-quality archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The central image of the composition features a butterfly, but instead of traditional organic patterns, it is formed by a captivating arrangement of geometric figures. The butterfly serves as the focal point of the painting, capturing the viewer's attention with its bold and vibrant colors. Shades of fuchsia, blue, orange, green, white, black, yellow, and light blue interplay harmoniously, creating a visually striking and energetic composition. Upon closer inspection, one can discern that the butterfly's wings are constructed using a meticulous arrangement of various geometric shapes. As the viewer's gaze explores the painting, they may notice that within the composition, there are additional elements arranged in the form of eyes. These eyes, composed of circles of varying sizes and triangles, lend an intriguing depth and surreal quality to the artwork. They evoke a sense of introspection and invite contemplation about the interplay of perception and reality. Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 28 x 20.6 inches Edition 3 of 10 +2 AP Price: $2,400 Limited edition Signed by the artist __________ About the Artist Francisca Oyhanarte...

Female Figure Underwater Realist Etching --"Separation" by Carol Bennett Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...

Damien Hirst (b. 1965) Honour from The Virtues (H9-6), laminated giclee print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-num...

Nick Thomm 'The Dreaming' Print Set Each print 69cm x 92cm (27"×36″) Limited Edition of 125. Hand Signed & Numbered Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condit...

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Original Lithograph by Jean-Gabriel Domergue Title: Sublime Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne...

Mid-century portrait of a young girl by a window by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick" in plate, and in pencil in the lower right corner, by the estate. Presented in an off-white mat. Unframed. Paper size: 12"H x 12"W The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...

Chuck Close Uniquely Signed, dedicated and inscribed vintage card, 1988 Thick card Boldly signed, dated, dedicated and inscribed in black ink on the front...

Original Lithograph by Jean-Gabriel Domergue Title: Dark Hair Lady with a Scarf Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La P...

Original Lithograph by Jean-Gabriel Domergue Title: Elegance Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne"

Mary Cassatt Mary Cassatt: Graphic Art at Smithsonian Institution Traveling Exhibition poster, 1981 Offset lithograph poster 22 × 18 inches Unframed and unsigned This poster was publ...