Luna Garcia Pottery

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

An Iznik pottery dish made in the first half of the 17th century and decorated with chrysanthemums and tulips. The rim features the rock and wave pattern. Under the direction of O...

Vintage artistic Danish pottery bowl with a beautiful abstract design Signed on the base but artist unknown No cracks or chips.

Pottery from Morocco. Inspired by Swedish midcentury pottery like Stig Lindberg. Handcrafted pottery by a local artist in Rabat.

English pottery pearlware botanical plates, circa 1840     The folky painted plates have a scalloped rim. In the center of each plate is a large...

This beautiful rustic pottery bowl is made by Rolando Regino Porras, son of famous Mexican potter Dolores Porras, in Santa Maria Atzompa, in the state of Oaxaca, Mexico. Dolores ...

Possibly a rare early experimental piece a black unglazed pottery double face mug by R W Martin and dating from the 19th century. The mug is thickly potted a...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Dutch Art Nouveau ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs. Matte glaze, mixture of abstract and floral designs, circa 1920s. Very col...

An antique Italian hand painted Savona tin glazed syrup jar inscribed AQUA DE PIANTAGNE dating from the early 18th century, the rounded earthenware jar stand...

A highly unusual, post modern, creamer/sugar ceramic set by Marek Cecula. The two pieces nest into each other, while on a pedestal. A great example of Mar...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...