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Martin Lewis Figurative Prints

American, Australian, 1881-1962

Martin Lewis was born in Castlemaine, Victoria, Australia, on June 7th, 1881. He was the second of eight children and had a passion for drawing. 

At the age of 15, Lewis left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton was an English-born Australian artist and teacher known for his support of the Heidelberg School and for his influential art school in Sydney. 

In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations for William McKinley's presidential campaign of 1900. By 1909, Lewis was living in New York, where he found work in commercial illustration. His earliest known etching is dated 1915. However, the level of skill in this piece suggests he had been working in the medium for some time previously. It was during this period that he helped Edward Hopper learn the basics of etching

In 1920, after the breakup of a romance, Lewis traveled to Japan, where for two years he drew and painted and studied Japanese art. The influence of Japanese prints is very evident in Lewis's prints after that period. In 1925, he returned to etching and produced most of his well-known works between 1925 and 1935. Lewis's first solo exhibition in 1929 was successful enough for him to give up commercial work and concentrate entirely on printmaking. 

Lewis is most famous for his black and white prints, mostly of night scenes of non-tourist, real-life street scenes of New York City. During the Depression, however, he was forced to leave the city for four years between 1932 and 1936 and move to Newtown, Connecticut. His work from this period includes a number of rural, night-time, and winter landscape scenes in this area. 

Lewis returned to Manhattan in 1936 and continued to etch and paint. He taught printmaking at the Art Students League of New York from 1944 until his retirement in 1952. Now he is considered one of the most important American printmakers of the twentieth century.

Find original Martin Lewis prints and other art on 1stDibs.

(Biography provided by Allinson Gallery, Inc.)

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Artist: Martin Lewis
'Tree, Manhattan' — Classic American Realism
By Martin Lewis
Located in Myrtle Beach, SC
Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...
Category

1930s American Realist Martin Lewis Figurative Prints

Materials

Drypoint

"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
Category

1920s Naturalistic Martin Lewis Figurative Prints

Materials

Laid Paper, Etching

Spring Night Greenwich Village
By Martin Lewis
Located in New York, NY
Spring Night, Greenwich Village--1930, Drypoint and Sand Ground.McCarron 85, only state. Edition 92. Signed in pencil. Signed in the plate, lower rig...
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1930s Martin Lewis Figurative Prints

Materials

Drypoint

Dock Workers under the Brooklyn Bridge
By Martin Lewis
Located in Storrs, CT
Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching. McCarron 15. 17 3/4 x 23 3/4 (sheet 26 x 31). 5 recorde...
Category

1910s American Modern Martin Lewis Figurative Prints

Materials

Etching, Aquatint

Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category

Early 20th Century American Modern Martin Lewis Figurative Prints

Materials

Etching, Drypoint

Little Penthouse
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Little Penthouse, drypoint, 1931, signed in pencil lower right [signed in the plate in a rectangle lower left]. Reference: McCarron 91, only state. Printed ...
Category

1930s American Realist Martin Lewis Figurative Prints

Materials

Drypoint

Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

1930s American Modern Martin Lewis Figurative Prints

Materials

Drypoint, Etching

The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category

1930s American Modern Martin Lewis Figurative Prints

Materials

Drypoint

Quarter of Nine, Saturday's Children.
By Martin Lewis
Located in Storrs, CT
Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...
Category

1920s American Modern Martin Lewis Figurative Prints

Materials

Drypoint, Etching

Relics (Speakeasy Corner).
By Martin Lewis
Located in Storrs, CT
McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...
Category

1920s American Modern Martin Lewis Figurative Prints

Materials

Drypoint

Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). . Edition 115 recorded impress...
Category

1930s American Modern Martin Lewis Figurative Prints

Materials

Drypoint, Etching

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Previously Available Items
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Down to the Sea.
Down to the Sea.
H 19.5 in W 24 in D 1 in
Strength and Beauty.
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Politics
By Martin Lewis
Located in Storrs, CT
Politics. 1936. Drypoint and sand ground. McCarron catalog 118 state ii. 9 3/4 x 10 5/8 (sheet 13 7/8 x 15). Trial proof 10, edition 27 (including 11 trial proofs). McCarron cites this impression to describe the second state. A rich, tonal impression printed on 'FJ Head & Co' cream wove paper with full margins. Provenance: estate of Delores D. Di Paola. Signed and annotated 'trial proof 10' in pencil. Housed in a subtle 17 3/4 x 18 1/2-inch silver-gold modern frame that enhances the tonality of the evening sky. The scene is Kent Hollow, a valley in the Appalachian Mountains in the town of Kent in Litchfield County, Connecticut. It is situated in the upper reaches of the West Aspetuck River, one of the cleanest rivers in Southern New England. Martin Lewis (1881–1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, a famous painter, was also one of the first Australian artists to take up printmaking. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
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Politics
Politics
H 17.75 in W 18.5 in D 0.5 in
Arc Welders at Night.
By Martin Lewis
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Printed on light blue paper. This original print by Martin Lewis was made using drypoint and a sand ground on a copper plate in 1937. The exact edition is unknown - 33 impressions ...
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Sunday Garden Inspection.
By Martin Lewis
Located in Storrs, CT
Sunday Garden Inspection. 1927. Drypoint. McCarron catalog 67 state ii. 11 3/4 x 8 (sheet 16 x 11 5/8). Edition of 34 recorded impressions (intended edition 50). A rich, well-inked...
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Under the Street Lamp.
By Martin Lewis
Located in New York, NY
Etching, 1928. Edition 100, recorded impressions 83. Signed in pencil. Image size 14 7/8 x 9 3/8" (38 x 24 cm). McCarron #70. Very good condition Martin Lewis is considered on...
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Ha'nted
By Martin Lewis
Located in Long Island City, NY
Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 ...
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Ha'nted
Ha'nted
H 21.5 in W 17.5 in
Chance Meeting
By Martin Lewis
Located in Fairlawn, OH
Initialed in the plate lower left Note: Printed on August 22, 1980 in an edition of 4 restrikes Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...
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Martin Lewis figurative prints for sale on 1stDibs.

Find a wide variety of authentic Martin Lewis figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Martin Lewis in drypoint, engraving, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Martin Lewis figurative prints, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Thomas Hart Benton, Art Werger, and Warrington Colescott. Martin Lewis figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $10,000 and tops out at $80,000, while the average work can sell for $29,500.

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