Mickalene Thomas Furniture

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Serigraph by Alex Foxton, 2021: This captivating serigraph by Alex Foxton is part of a 2001 series entitled 'Frankenstein'. This magnificent artwork on vellum paper, signed and num...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Serigraph by Alex Foxton, 2021: This captivating serigraph by Alex Foxton is part of a 2001 series entitled 'Frankenstein'. This magnificent artwork on vellum paper, signed and num...

This piece is titled Smile Through The Chaos, painted in 2021 during lockdown and using an abandoned car park sign as the medium. Measuring 183cm wide x 93cm Height Drew is an 'Outsider' artist based on the Romney Marsh in Kent.Painting from his self built studio in the rural village of Lydd, Drew's creativity sees the use of found and salvaged materials and media throughout his work. This sustainable creativity sees the recycling of abandoned paints, varnishes and substitute base materials such as metal and wooden panelling...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Thom Vromen signed colored lithograph we think portraying Thomas Edison. Vromen was a famous midcentury illustrator who attended the Beaux Art School in Paris. He graduated from the ...

Untitled (2021) Acrylic and paste on raw un-stretched canvas 230 x 150cm Education MA Fine Art, Chelsea College of Art, London (2015/16) Solo Exhibitions Scratchcard Paintings, Oliver Spencer - London, July 2019 No Blank Space, Silverthorne Lofts - London, December 2016 Collections to Inform Artwork, Chelsea College of Art Library - London, July 2016 Be The first of Your Friends To Like This, Punctum Gallery, Chelsea College of Art - London, April 2016 Group Exhibitions (Selected) Transatlantico, Mana Contemporary - New York, October 2020 Pazzo Palazzo, Palazzo Monto - Brescia, Italy, May 2019 Recreational Grounds - London, May 2019 Delphian Gallery Print Show, The Printspace - London, March 2019 The Spring Auction, The Auction Collective - London, March 2019 [s] Rhythms in Art Lacuna, Art Lacuna - London, January 2019 Abstract:Reality, Saatchi Gallery - London, December 2018 Not Available in Good Book Shop, Sluice Art Fair - London, September 2017 Raise All Spirits 2p, Finsbury Park...