Patrick Caulfield Art

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Yayoi Kusama Tulipe (I), A.P. from the Edition of 60. Screenprint [8 screens, 8 colors, 11 runs]. Lamé [3 colors] Image: 45.5 x 38 cm. Sheet: 65x 50 cm. Provenance: Ravenel Art Auct...

Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Ed Ruscha Actual Size (Spam), 2024 UV pigment print with yellow silkscreen details and a matte varnish seal, printed on 410gsm Somerset Tub Sized Radiant White paper. Individually nu...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

Plaza by Eduardo Paolozzi is an exemplar of early pop art dynamism. Printed in black and white and packed with geometric forms, the composition contains references to maps, machinery...

Punk rock ignited a lot of creative and philosophical things for me, and punk principles continuously remind me that speaking truth to power and questioning authority is paramount in life. The Dead Kennedys, The Clash, Black Flag, and the Circle Jerks are just a few of the groups that referenced injustices such as police brutality and abuse of power in their songs, inspiring me to speak out about the same subjects through my art. I have made a lot of lasting friendships through punk rock and its cultural offshoots. One of those friends is Sean Bonner, who began ordering my prints in the '90s while he was art director for punk label Victory Records. Sean designed the package for the Bad Brains...

Hand signed rf Lichtenstein in pencil and numbered 270/280 lower right margin. Published by Leo Castelli Gallery, New York, Printer Chiron Press, New York. The Prints ofRoy Lichtenst...

Yayoi Kusama Sunflowers Edition 52/100. Screenprint [11 screens, 10 colors, 11 runs]. image: 52.8 x 45.4 cm. sheet: 61 x 53.5 cm. Published in 1989 on Izumi paper by Ishida Ryoichi....

Yayoi Kusama Flower, Edition 100/100. Lithograph [3 plates, 3 colors, 3 runs], Collage. Image: 22.3 x 15.5 cm. Sheet: 35.5 x 27.5 cm. Published in 1982 on on Velin d' Arches paper by...