Paul Jacoulet Figurative Prints

1 etching and 1 aquatint of skating youngsters, made by illustrator and animator Frederic Marschall. The aquatint is a negative of the etching. Both were put in a new aluminum fram...

Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for his detailed compositions in oils applied with loose brush strokes. He often features images of Black women and men engaging in everyday life in urban settings. Born in Newport News, Virginia with roots in Sumpter, SC, Noland's passion for figure drawing was formed at an early age. Noland attended the Art Institute of Fort Lauderdale where he received an Associate Degree in Advertising. Upon graduating, he went on to work as a freelance illustrator, designing Judaic art throughout the mid 1990s through early 2000s. During this period, Noland's freelance work extended into television where he worked as one of three court artists for the ABC affiliate in South Florida and as an illustrator for Univision (an American media company serving the Latin Market worldwide). Noland is represented by Neema Fine Art Gallery. Neema Fine Art Gallery will donate 15% of the subtotal of each purchase of "Transcendent Achievement Through Transformational Leadership" to the Beta Nu Foundation in an effort to support the Beta Nu Chapter of Alpha Phi Alpha in their efforts to support the needs of the FAMU student body, the needs of the surrounding community, and promote scholarship among Alpha Phi Alpha members and beyond. All limited edition giclees (reproductions) are made to order so please anticipate your artwork to arrive within 14-21 days of your order. All open editions will be shipped within 7 business days.  Orders are shipped via UPS or Fedex; please check your email for all tracking information. Thank you for your support. Keywords: black art Black artist Black art gallery African american art African american artist African american painting African-american art African-american painting African-american artist Ethnic art Ethnic painting Ethnic artist Southern art Southern artist Southern painting African american art gallery African-american art gallery Charleston Charleston gallery Charleston art gallery Atlanta Atlanta gallery Atlanta art gallery Serenbe Serenbe art gallery Chattahoochee hills Georgia Georgia art Atlanta art Neema gallery Neema fine art gallery Giclee Giclee on canvas Harlem Renaissance Library 20's African American male Gentlemann HBCU FAMU Black History...

Carl August Walther (1880 Leipzig - 1956 Dresden): Bookplate for Max Brückner-Rüggeberg, 1912, Etching Technique: Etching on Paper Inscription: Signed and dated by the artist lower...

Elia Shiwoohamba (* 1981 , Windhoek, Namibia ) Harvesting Time • African School • Linoleum cut • Sheet ca. 34.5 x 43 cm (Image is smaller) • Bottom left numbered 8/50 and titled • ...

"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...

Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...

Tim Engelland (American, 1950-2012) Little Owl, 2006 Combined lino/woodcut 5 1/2 x 6 1/2 in. Inscribed bottom: 6/50, Little Owl - For Naomi Rosenblum, T. Engelland, 06 This "Little Owl" print was produced as a "thank you" for those who attended or purchased paintings at a show in New York. The key block originally appeared as an illustration for The O-O's Party by Paul Muldoon - published by The Gallery Press, Ireland. Redesigned to accommodate a tonal block, it is limited to an edition of fifty signed copies, printed by the artist on a 19th century proof press with archival inks and papers. A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue standing in the school’s Memorial Building. Along with John O’Brien and Peter Fallon, Tim founded the Deerfield Press, publisher of limited-edition illustrated poems and stories; James Dickey, John McPhee, and Seamus Heaney are among the authors whom the Press published. For several decades, Tim served on the faculty at the Advanced Placement Summer Institute in St. Johnsbury, Vt., and as a consultant to the College Board. He spent sabbaticals in New York City and Boston, and he has exhibited in galleries in those cities and many other venues. His work can be found in the National Library of Ireland, Boston’s Museum of Fine Arts, and in private collections worldwide. In 2004, Tim returned to Indiana. He was married to Susan Karen Carpenter...

The present artwork is an excellent example of the woodcut engravings of Auguste-Louis Lepère (1849 - 1918). He was the son of the sculptor Francois Lepère, and is considered a leade...

This does not appear to be signed. not examined out of frame. In the manner of Frans Masereel here is an old woodblock print of a Jewish religious scene of the induction of a new torah in a procession with a chuppah, wedding canopy. In the tradition of the Jewish European artists of the 19th and early 20th centuries, such as Moritz Oppenheim, Max Liebermann, Lesser Ury, Jakob Steinhardt, Jehudo Epstein, Artur Kolnik, Stanislaus Bender...

Limited Edition Geclee Print 1 of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Framed...

Hermann Kätelhön (German, * 22. September 1884, Hofgeismar; † 24. November 1940, München) Coal Miners • Woodcut, sheet measures ca. 55 x 40 cm • The sheet is mounted (fixed at the...

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition