Peter Halley Art
American, b. 1953
Peter Halley is an American artist known for his distinctive geometric paintings that explore the intersection of technology, society, and architecture. Born in 1953 in New York City, Halley developed an early interest in art and went on to study at Yale University, where he received his Master of Fine Arts degree in 1978.Halley's work is characterized by vibrant, flat colors and repetitive, abstract forms, often resembling circuit boards or prison cells. His paintings reflect his fascination with the effects of technology on human interaction and the isolation of modern society. Halley coined the term "prison cells" to describe the confined spaces and social structures that he believes have been created by technology and urban architecture. Throughout his career, Halley has exhibited his work internationally, gaining recognition for his unique style and thought-provoking concepts. He has also been involved in art criticism and writing, contributing to various publications and expanding the discourse on contemporary art. Today, Peter Halley's art continues to captivate audiences, provoking discussions about the impact of technology on our lives and the nature of human connections in an increasingly digital world. His contributions have made him an influential figure in the field of contemporary art.to
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Artist: Peter Halley
Dealer: Alpha 137 Gallery
Peter Halley, CORE Geometric Abstraction Silkscreen & Lithograph Signed/N Framed
By Peter Halley
Located in New York, NY
Peter Halley
Core, 1991
Limited Edition Silkscreen with lithography on Coventry Rag paper.
Pencil signed and numbered 13/50 on the front
Publisher: Edition Schellmann & Pace Editions...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Lithograph, Screen
Peter Halley, Hand signed & dated original ink & graphite drawing; unique Framed
By Peter Halley
Located in New York, NY
PETER HALLEY
6/21/96.9, 1998
Graphite and ink drawing
Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9
Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass
signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9
This is a unique work
Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass
Measurements:
Framed
16.5 inches vertical by 13 inches horizontal by 1.5 inches
Artwork (visible)
10 inches vertical by 8 inches horizontal
Peter Halley Biography
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Ink, Graphite
Jablonka Galerie exhibition poster, Köln (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley, Jablonka Galerie, Köln (Hand Signed), 1993
Offset lithograph poster (hand signed by Peter Halley)
26 1/2 × 26 1/2 inches
Unframed
Alpha 137 Gallery is honored to offer ...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
The Butler Institute of American Art poster (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
New Works, The Butler Institute of American Art (Hand Signed), 1999
Offset lithograph poster (signed by Peter Halley)
38 × 21 1/2 inches
Boldly signed in black marker by...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Prison 14, Unique, signed, Graphite pencil and ink drawing on paper, Framed
By Peter Halley
Located in New York, NY
Peter Halley
Prison 14, 1995
Graphite pencil and ink drawing on paper. Hand signed. Titled. Dated. Framed.
Hand signed on lower right front corner
Unique
Frame included
Unique earli...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Ink, Graphite
Cell with Explosions I, Line Engraving on Japanese Kozo paper, signed/N, Framed
By Peter Halley
Located in New York, NY
Peter Halley
Cell with Explosions I, 1993
Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface
Hand signed and numbered 49/50 by the artist on lower front
Original frame included: matted and framed in a wood frame
Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process.
Measurements:
Frame: 19 x 19 x 1 inches
Visible: 12 1/4 x 12 1/4 inches
Sheet: 15 7/8 x 15 1/4 inches
Peter Halley Biography
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Rice Paper, Etching
Peter Halley at Sonnabend Gallery, New York (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989
Offset lithograph poster (hand signed by Peter Halley)
28 × 26 inches
Unframed
Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker.
Scroll down for a photograph of our director Nadine Witkin with the artist.
Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney.
PETER HALLEY BIOGRAPHY
Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era.
Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured.
In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...
Category
1980s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Peter Halley, Nobody, geometric abstraction Neo Geo silkscreen signed/N Framed
By Peter Halley
Located in New York, NY
PETER HALLEY
Nobody, 1997
Silkscreen with Embossing on Arches Cover Paper (Framed)
Signed dated and numbered in pencil by Peter Halley from the edition of 60 on the front
Published b...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Screen
Peter Halley, Jablonka Galerie, Köln rare exhibition poster (Hand Signed)
By Peter Halley
Located in New York, NY
Peter Halley
Jablonka Galerie, Köln (Hand Signed), 1990
Offset lithograph (Hand Signed by Peter Halley)
26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6)
Signed by Peter Halley ...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Permanent Marker, Lithograph, Offset
Geometric Abstraction (unique, signed graphite drawing gifted to fellow artist)
By Peter Halley
Located in New York, NY
Peter Halley
Untitled Geometric Abstraction, ca. 1990
Graphite and Ink
Signed in graphite pencil by Peter Halley; lower right front
Frame included: floated and framed in wood frame
U...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Ink, Graphite
Imago Galleries exhibition poster, Palm Desert, CA (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006
Offset lithograph poster (hand signed by Peter Halley)
25 1/2 × 18 1/4 inches
Provenance; Acquired directly from the artist
Unframed
Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney.
PETER HALLEY BIOGRAPHY
Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era.
Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured.
In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas.
Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian.
A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier.
Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others.
More about Peter Halley
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
Early 2000s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Musee d'Art Contemporain Pully/Lausanne poster (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992
Offset lithograph poster (hand signed by Peter Halley)
11 1/2 × 16 1/2 inches
Unframed
Hand signed in black ...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Musée d'art moderne et contemporain Saint-Étienne Métropole, Hand Signed poster
By Peter Halley
Located in New York, NY
Peter Halley, Musée d'art moderne et contemporain - Saint-Étienne Métropole, France (Hand signed), 2014
Offset lithograph (Hand Signed by Peter Halley)
23 1/2 × 16 inches
Boldly sign...
Category
2010s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Galerie Bruno Bischofberger offset lithograph poster Hand signed by Peter Halley
By Peter Halley
Located in New York, NY
Peter Halley
New Works, Galerie Bruno Bischofberger (Hand signed), 1994
Offset lithograph poster (signed by Peter Halley)
19 × 26 1/2 inches
Boldly signed in black marker on the fron...
Category
1990s Contemporary Peter Halley Art
Materials
Offset, Lithograph
Peter Halley Paintings (Hand Signed by Peter Halley) rare European poster
By Peter Halley
Located in New York, NY
Peter Halley Paintings (Hand Signed), 1995
Offset lithograph poster (hand signed by Peter Halley)
28 1/2 × 18 3/4 inches
Hand signed in black marker on the front
Unframed
Alpha 137 G...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Painting as Sociogram The Kitakyushu Municipal Museum of Art; Japan, Hand Signed
By Peter Halley
Located in New York, NY
Peter Halley
Painting as Sociogram: The Kitakyushu Municipal Museum of Art, Japan (Hand Signed), 1997
Double-sided offset lithograph poster (hand signed by Peter Halley)
11 3/4 × 8 1...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset
Limited Edition ceramic plate Uovo In Raviolo Alla Bergese, San Domenico NY S/N
By Peter Halley
Located in New York, NY
Peter Halley
Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000
Limited Edition Ceramic Plate.
Artist signature fired into the plate on the underside and numbered 166 from the edition of 510.
10 3/10 inches diameter by 1/4 inch height
Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo...
Category
Early 2000s Contemporary Peter Halley Art
Materials
Ceramic, Screen, Mixed Media
Heterotopia 2 (Hand Signed by Peter Halley) Neo Geo abstract poster
By Peter Halley
Located in New York, NY
Peter Halley
Heterotopia 2 (Hand Signed by Peter Halley), 2019
Offset lithograph poster (Hand signed by Peter Halley)
23 × 16 1/2 inches. Signed in black marker on the front
Published by Greene Naftali, New York
Unframed
Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 2019 exhibition Heterotopia 2, at Greene Naftali Gallery in New York City which the artist hand signed in black marker.
Scroll images for a photograph of our director Nadine Witkin with the artist.
Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...
Category
2010s Abstract Geometric Peter Halley Art
Materials
Offset, Lithograph
Halley/Kozik, Print, Hand signed by both Peter Halley and Frank Kozik 75/100
By Peter Halley
Located in New York, NY
Peter Halley, Frank Kozik
Halley/Kozik, 1997
Offset Lithograph.
Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100
22 1/2 × 35 inches
Unframed
This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100.
Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...
Category
1990s Contemporary Peter Halley Art
Materials
Lithograph, Offset
Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998
Offset lithograph poster (hand signed by Peter Halley)
33 × 24 inches
Unframed
Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist.
Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset
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Shipping on request
This impressive offset lithograph by Serge Poliakoff, a significant figure in abstract art, captures the powerful dynamism of his work. The skillful interplay of red and blue in this harmonious artwork from 1972, part of the Munich Olympic Games Art Series, creates a fascinating visual tension and bestows upon the space an aura of refinement and elegance. Poliakoff's mastery in abstraction is evident in a composition that is both energetic and balanced. Signed in stone by the artist, this vintage piece encapsulates the essence of its time and is a valuable addition to any art collection.
Serge Poliakoff, born on January 8, 1900, in Moscow, Russia, was a prominent figure in 20th-century abstract art. After relocating to Paris in 1923 and briefly pursuing a career as a cabaret guitarist, he found his calling in painting. By 1935, he increasingly embraced abstraction, utilizing color without representational references. Poliakoff developed a unique form of abstract painting, juxtaposing colored fields. In the 1940s, he predominantly worked with shades of gray and brown before expanding his palette to include vibrant, contrasting colors from 1950 onwards. His later works were characterized by a reduction in color intensity to earthy tones and a tendency towards monochromatic compositions. This evolution reflected his artistic maturity and pursuit of expressive depth. Serge Poliakoff's works are renowned for their powerful abstraction and subtle mastery of color. He passed away on October 12...
Category
20th Century Abstract Peter Halley Art
Materials
Lithograph
Jean Marie Haessle Abstract Geometric Op Art Silkscreen Lithograph Print
By Jean-Marie Haessle
Located in Surfside, FL
Jean Marie Haessle, French-American (1939-)
Serigraph silkscreen
Hand signed in pencil and numbered
Bermuda Triangle (Blue background)
1980
Jean Marie Haessle was born in 1939 in ...
Category
1980s Abstract Geometric Peter Halley Art
Materials
Lithograph, Screen
Limited Edition 2005 Marielle Guégan French Artist Gravure/Engraving Minimalist
By Guégan Marielle
Located in Paris, FR
The sixth of six of this limited edition Marielle Guégan engraving created in 2005.
Marielle Guégan is a French painter and engraver. During her studies as an interior designer, sh...
Category
21st Century and Contemporary Abstract Peter Halley Art
Materials
Paper, Engraving
Guégan MarielleLimited Edition 2005 Marielle Guégan French Artist Gravure/Engraving Minimalist, 2005
H 19.89 in W 13 in D 0.04 in
Colorful painting on paper, Unique piece, Abstract Expressionist
Located in Carballo, ES
TUSET (1997, A Coruña, España)
Mixed media painting on paper
Ready to frame
One-of-a-kind
Signed on back
Includes certificate of authenticity
2021
65 x 50 cm.
It belongs to the ser...
Category
21st Century and Contemporary Abstract Geometric Peter Halley Art
Materials
Paper, Oil Crayon, Ink, Mixed Media, Acrylic, Pencil
Blue & Grey Green Plan: Abstract Geometric Framed Painting in Cool Toned Palette
By Donise English
Located in Hudson, NY
Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background
"Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022
Graphite, colored pencil, and acrylic painting on vellum
24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding
Signed, verso
Excellent condition and ready to hang
This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Peter Halley Art
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Alberto Magnelli - Composition - Original Lithograph
By Alberto Magnelli
Located in Collonge Bellerive, Geneve, CH
Alberto Magnelli
Original Lithograph
Executed in 1967 for XXe Siecle (issue No. 29 "Vers un nouvel humanism")
published in Paris by San Lazzaro
There is a fold in the center, as issu...
Category
1960s Abstract Geometric Peter Halley Art
Materials
Lithograph
H 12.6 in W 9.45 in D 0.04 in
Three Poems: Nocturne III, Abstract Minimalist Lithograph by Robert Motherwell
By Robert Motherwell
Located in Long Island City, NY
Artist: Robert Motherwell, American (1915 - 1991)
Title: No. 3 from Three Poems, collaboration with Octavio Paz
Year: 1987
Medium: Lithograph on Japon with Chine Colle
Edition: 750
I...
Category
1980s Abstract Expressionist Peter Halley Art
Materials
Rice Paper, Lithograph
Previously Available Items
Peter Halley, Jablonka Galerie, Köln rare exhibition poster (Hand Signed)
By Peter Halley
Located in New York, NY
Peter Halley
Jablonka Galerie, Köln (Hand Signed), 1990
Offset lithograph (Hand Signed by Peter Halley)
26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6)
Signed by Peter Halley ...
Category
1990s Abstract Geometric Peter Halley Art
Materials
Offset, Permanent Marker, Lithograph
Cell Grids, Dallas Contemporary (Hand signed)
By Peter Halley
Located in New York, NY
Peter Halley
Cell Grids, Dallas Contemporary (Hand signed), 2021
Offset lithograph poster (hand signed by Peter Halley)
18 × 24 inches
Boldly signed in black marker on the front
Unframed
Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2021-2022 exhibition at Dallas Contemporary, which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...
Category
2010s Abstract Geometric Peter Halley Art
Materials
Offset
Peter Halley art for sale on 1stDibs.
Find a wide variety of authentic Peter Halley art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple, red, blue and other colors. You can also browse by medium to find art by Peter Halley in offset print, screen print, graphite and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Peter Halley art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Kyohei Inukai, Matt Magee, and Olivier Julia. Peter Halley art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $8,800, while the average work can sell for $1,500.