Peter Kolin Paintings

In "Owner," Rudolf Kosow captures a tender moment of connection that is as powerful as it is subtle. The main subject of the painting is a large black Lab, soulful dog, its fur textu...

A surreal vertical oil painting titled Incident by Rudolf Kosow depicts an immense, detailed black horse's hoof dominating the majority of the composition, set against a muted, textured background. At the bottom right, a small man...

in FAKE, three cowboys stand side by side, dressed in dusty, timeworn attire, they exude an air of quiet contemplation, perplexed with their hands resting on their hips as they gaze ...

A graduate of Yale, artist and professor Jenny Toth says, "My work revolves around certain themes, but always is based on direct observation of the material world. I think about the...

Ivery Tower Modern Figurative Oil Painting John Nathaniel Fenton was born in 1929 in Mountaindale, New York. He is a 20th-century American painter and printmaker who studied at the A...

A colossal black pug, its head resting heavily on the ground, gazes outward with an expression both sorrowful and unyielding. Its vast, glossy eyes shimmer w...

In VINCENT'S NIGHTMARE, a melancholic black Labrador dominates the composition, its sorrowful eyes reflecting an unspoken tragedy. The rich, textured fur contrasts with the crisp blue sky, creating an atmosphere of quiet despair. A small yet striking figure—a sheriff—stands before the dog, separated by yellow crime scene tape. His posture, with a hand wiping his face, conveys exhaustion, grief, or perhaps regret. The contrast in scale between the enormous, mournful dog and the diminutive officer suggests themes of loss, injustice, or powerlessness. The surrealist juxtaposition of law enforcement with an innocent, grieving creature invites interpretation: is the dog a witness, a victim, or a symbol of something greater? Vincent’s Nightmare evokes an emotional response, urging viewers to contemplate responsibility, empathy, and the weight of unseen sorrow. keywords; painting on canvas, surrealist painting, americana...

"Lunar Encounter with Child" by Philadelphia born modernist painter Leon Kelly, is a large, brightly colored surrealist portrait of two figures. The 40" x 30" oil on canvas was paint...

Large surrealist contemporary oil on canvas by Scottish artist Frank McLean Docherty R.S.W. This piece whilst wonderfully colourful, playful and erotic is typical of the witty sense of humour this artist displays in all his work. The title 'Hello Hen !' ( Hen being the scottish slang for 'girl' ) is used playfully as a double-entendre. In the image we see the artist has before him a beautiful naked woman and yet chooses to paint the real hen. Also we notice that the plant's flower heads under the woman are wilting and the artist pictured (a self portrait of Docherty), an older man, suggest that the artist's desires are on the wane. Docherty likes to tease us visually and asks questions and presents conundrums to the viewer. Frank McLean Docherty was born in Glasgow , Scotland in 1942. He became a student at Glasgow School of Art in 1960 and graduated from the Department of Printed Textiles in 1964. He taught in a secondary school in the East End of Glasgow for two years, thereafter departing to work in Dublin in the Republic of Ireland as a textile designer (Marks & Spencer, Heals and Liberty of London). He was also an illustrator for a range of newspapers and an Art Director of magazines. In 1973, he was appointed Principal Teacher of Art in a Scottish High School and in 1978 was honoured by the Queen when he was appointed Member of the Royal Society of Painters in Watercolours (R.S.W.) He left education in 1994. Since that time he has developed a vision which is quite unique in Scottish Art. Bank Managers, toucans, lighthouses, penguins, bowler hats, Frank Docherty...

SORCERER'S BISCUIT is a new oil on canvas surrealist painting by Brooklyn, New York artist Tony Geiger. It measures 16x20" and is a unique artwork. Note the artist's vocabulary present here – the young girl in early 20th century clothes holding the chewed biscuit; on poles either side of her what looks like a wolf in top hat, and a queen with crown. The wolf and queen are dimensional though appear as garish silhouettes – setting up a duality, a dream, a magic spell... Tony Geiger has said his paintings take you to a certain place, but you have to find your own way back. The world he creates encompasses both classical surrealism and more contemporary concerns. Conflict is usually present. These mischievous juxtapositions make statements on the human condition – either politically, physically or spiritually. Geiger wants the viewer to be challenged and amused by this mixture of the macabre and the playful. A graduate of the School of Visual Arts, New York and a longtime NYC resident, Tony Geiger still considers himself a transplanted Californian. He has exhibited paintings at the Sideshow Gallery in Williamsburg, the Barbican Centre in London, England, Miami Projects at Art Basel, Ceres Gallery in Chelsea, NYC, and he was accepted into The Drawing Center’s Viewing Program. Tony Geiger lives in Carroll...

Uruguayan artist Leonardo Aguirre creates visually animated surreal scenes in a theatrical environment. Aguirre rearranges whimsical components into unexpectedly harmonious ways of s...

"Venus Retrieved from the Hands of Death" by Philadelphia born modernist painter Leon Kelly, is a fantasy nude group scene of one female and two male figures. The 49" x 36" oil on ca...