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Pierre-Joseph Redouté Prints and Multiples

French, 1759-1840
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia of Naples and Sicily, was also a patron.
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Artist: Pierre-Joseph Redouté
1939 Pierre-Joseph Redoute 'Oreilles D'Ours"
By Pierre-Joseph Redouté
Located in Brooklyn, NY
Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1930s Modern Pierre-Joseph Redouté Prints and Multiples

Materials

Offset

Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
By Pierre-Joseph Redouté
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Pierre-Joseph Redouté Prints and Multiples

Materials

Engraving

Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"
By Pierre-Joseph Redouté
Located in Alamo, CA
This hand colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Pierre-Joseph Redouté Prints and Multiples

Materials

Engraving

Pear Engraving
By Pierre-Joseph Redouté
Located in New York, NY
Redouté, Pierre Joseph. Poire Tarquin. Le Choix des Plus Belles Fleurs. Paris, 1827. Original engraving hand colored at the time of publication.
Category

Early 1800s Pierre-Joseph Redouté Prints and Multiples

Materials

Paper

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The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
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Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
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Rosa Gallica Gueriniana (Roses): Original 19th C. Hand-colored Redoute Engraving
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Category

Early 19th Century Naturalistic Pierre-Joseph Redouté Prints and Multiples

Materials

Engraving

Rosa Damacena Celsiana (Roses): Original 19th C. Hand-colored Redoute Engraving
By Pierre-Joseph Redouté
Located in Alamo, CA
This rare original 19th century hand-colored stipple engraving entitled "Rosa Damacena Celsiana Prolifera (Roses)" by Pierre-Joseph Redouté is from his and Claude Anthoine Thory's illustrated publication 'Les Roses', published in Paris by Dufart and Hauer between 1828-1829. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This hand-colored engraving of red roses on their stems is in excellent condition. There are a few punctate opacities which appear most likely to represent tiny imperfections related to the paper manufacture. The original descriptive text pages from Redoute's 19th century publication are included. A larger version of this engraving is currently listed online for $12,000. There is another Redoute rose engraving from this series that is listed on 1stdibs. The two engravings would make for a striking display grouping. See 1stdibs item LU1173211601512. A discount is available for the purchase of both of these engravings. Please inquiry about details. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia...
Category

Early 19th Century Naturalistic Pierre-Joseph Redouté Prints and Multiples

Materials

Engraving

Fig Engraving
By Pierre-Joseph Redouté
Located in New York, NY
Redouté, Pierre Joseph. Figuier. Traite des Arbres et des Arbuste. [Fig]. Paris, 1801-1806. Original engraving hand colored at the time of publication.
Category

Early 1800s Pierre-Joseph Redouté Prints and Multiples

Materials

Paper

REDOUTÉ. Musa paradisiaca - Banana
By Pierre-Joseph Redouté
Located in London, GB
Stipple-engraved plate of Bananas printed in colours and finished by hand. [Chez l’Auteur, Paris, 1802] The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanical illustration ever to be published." (Frans A. Stafleu, "Redoute - peintre de fleurs" in A Catalogue of Redouteana). Redoute was at the height of his powers during the publication of Les Liliacees. It is easily the equal in accomplishment of its more popular successor, Les Roses. The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he had as patron and sponsor Josephine...
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Myrsine Africana (Cape Myrtle)
By Pierre-Joseph Redouté
Located in Saint Augustine, FL
An original stipple engraving printed in colors with additional hand-coloring on wove paper by French artist Pierre-Joseph Redouté (1759-1840) titled "Myrsine Africana (Cape Myrtle)"...
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Early 1800s Rococo Pierre-Joseph Redouté Prints and Multiples

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Copper

1938 Pierre-Joseph Redoute 'Rosa Indica Cruenta; Rosier mensuel 'Slater's
By Pierre-Joseph Redouté
Located in Brooklyn, NY
Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1930s Pierre-Joseph Redouté Prints and Multiples

Materials

Lithograph

1938 Pierre-Joseph Redoute 'Rosa Gallica (Purpuroviolacea Magna); Rosier Evêque
By Pierre-Joseph Redouté
Located in Brooklyn, NY
Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1930s Pierre-Joseph Redouté Prints and Multiples

Materials

Lithograph

1938 Pierre-Joseph Redoute 'Rosa Centifolia; Rosier de Provence' France
By Pierre-Joseph Redouté
Located in Brooklyn, NY
Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1930s Pierre-Joseph Redouté Prints and Multiples

Materials

Lithograph

1939 Pierre-Joseph Redoute 'Bouquet De Camelias, Narcisses Et Pensees' France
By Pierre-Joseph Redouté
Located in Brooklyn, NY
Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1930s Pierre-Joseph Redouté Prints and Multiples

Materials

Lithograph

1938 Pierre-Joseph Redoute 'Rosa Muscosa Multiplex; Rosier mousseux a fleurs
By Pierre-Joseph Redouté
Located in Brooklyn, NY
Paper Size: 16 x 12.5 inches ( 40.64 x 31.75 cm ) Image Size: 13 x 9.5 inches ( 33.02 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1930s Pierre-Joseph Redouté Prints and Multiples

Materials

Lithograph

Pierre-joseph Redouté prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Pierre-Joseph Redouté prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Pierre-Joseph Redouté in engraving, paper, handmade paper and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Pierre-Joseph Redouté prints and multiples, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Jean Louis Prévost, Johan Christoph Volkhamer, and ALO (Charles Jean Hallo). Pierre-Joseph Redouté prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $6,194, while the average work can sell for $1,455.

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