Pietro Canali Color Photography

Jimi Hendrix, London 1967 by Gered Mankowitz A portrait of Jimi looking serious while in an embroidered jacket. "Shot during my first session with Jimi at my Studio in early 1967." ...

New York Firearms Store by Fernando Natalici: Vintage original sepia toned photo taken in Manhattan featuring the silhouette of a gun with a sign that reads "firearms & police equipment". A view of the iconic Manhattan architecture stands out just behind the silhouette. A glimpse into, not only the New York of 'then', but the infamous builds that remains in the city today...

1980s Keith Haring photograph: Rare vintage original Keith Haring darkroom photograph by New York underground photographer Lawrence Horn. Signed & d...

A stunning hand printed photograph. Sepia toned. Negatives 1995 & 2006 Signed and dated on verso and recto. Mint Condition

New York Walk by Fernando Natalici: Downtown Manhattan 1984. A metal arrow points to an unknown store on the left of this New York City street. A view of the iconic Manhattan architecture stands out just behind the silhouette. A glimpse into, not only the New York of 'then', but the infamous buildings that remains in the city today...

Michael Caine contact sheet print by Brian Duffy - London 1964 This session with Michael Caine was shot by Duffy in 1964, the same year that the film Zulu was released which was hi...

An original silver gelatin print by Robert Vavra, nationally acclaimed equine photographer.

Contemporary color still life photograph of yellow, purple, and white flower with red buttons in a silver compote cup on a wood tabletop "Flowers, Compote & Buttons", photographed by David Halliday in 2008 archival pigment print, ed. of 25 10 x 14 inch image on 16 x 12 inch paper, unframed Print is made to order "Flowers, Compote & Buttons" is an archival pigment print by photographer, David Halliday. Here, the artist beautifully situates colorful flowers and buttons in a silver compote cup on an old wooden table...

New York City Street by Fernando Natalici: Manhattan 1984. The simplicity & grace of a metal sign featuring a cowboy boot sways in the wind. The trees twist and bend around the boots...

"New York Walk " by Fernando Natalici: Manhattan 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photogra...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Eric Mitchell on the set of The Foreigner: Chelsea Hotel, Manhattan, 1978 by Fernando Natalici: Cooler than cool, "The Foreigner" was photographed on the set of the Amos Poe directed...