Polly Apfelbaum Art

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Color woodcut, Edition 30. In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...

Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...

Medium: Limited Edition Print. Technique: Woodcut. Paper: Hahnemühle 350 g.

Yasuhide Kobashi (古橋 矢須秀 Kobashi Yasuhide, 1931–2003) was a Japanese woodblock print artist, painter, sculptor and stage designer. He was born in Kojima in Okayama Prefecture. His father was a ceramic clay artist and head of the Kyoto Industrial Craft Company. Kobashi learned printmaking from the sōsaku hanga (creative prints) master Unichi Hiratsuka (1895–1997). In 1955, Kobashi graduated from the Kyoto College of Crafts and Textiles, and in 1959, he moved to New York City. At first he was sponsored by Lincoln Kirstein of the New York City Ballet, who had visited his studio in Kyoto and commissioned a number of works from him. Elaine De Kooning, art critic and wife of influential Abstract Expressionist Willem De Kooning recommended Kobashi to the Allan Stone Gallery, He would continue to work with this gallery for more than 30 years. When Kobashi moved to New York in 1959, many American intellectuals and artists were eager to learn about Japan. Among the early influences to reach a wide cross section of American society was Suzuki Daisetsu's (1870-1966) Introduction to Zen Buddhism, published in English in 1949 with a preface by the noted psychologist Carl Jung. Nelson Rockefeller (governor of New York and later vice-president) was Kobashi's patron, and acquired one of the artist's sculptures for the New York State Executive Mansion in Albany. As a young man he was exposed to a wide range of arts, including sculpture, stage design, carpentry, stone cutting, ceramics, calligraphy, painting, and furniture design. Most notably, he studied woodblock printmaking under Hiratsuka Unichi (1895-1997), one of the leading innovators in the Creative Print (ssaku-hanga) movement that advocated total artistic control by a single artist over the entire printmaking process, in contrast to the traditional methods of ukiyo-e in which designer, carver, printer, and publisher all had a role in production. Kobashi is best known for his sosaku hanga woodblock prints and his sculptures intended to be rearranged, which he called "self-constructions". The Cleveland Museum of Art, the Honolulu Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art (MoMA New York City), the Neuberger Museum of Art (Purchase, New York), the Albright Knox, the Weisman Art Museum (University of Minnesota, Minneapolis), and Southern Illinois University Edwardsville are among the public collections holding work by Kobashi. Yasuhide Kobashi created some of his first prints in New York at the Pratt Graphic Art Center. He became a member of the Society of Independent Artists and exhibited regularly with them. He is included in the book JAPANESE SCULPTORS: Isamu Noguchi, Yayoi Kusama, Akio Takamori, Yoshimoto Nara...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

Block print on linen by Edward Marecak (1919-1993) titled Shapes. Presented in a custom frame with all archival materials, outer dimensions measure 29 x 19 ¼ x 1 ⅛ inches. Image size...

Raoul Ubac - Rythm - Original Woodcut Title: Rythm Dimensions: 32 x 24 cm Revue Art de France The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He wen...

Naghi Nagashian (Iran b. 1948), "Black & White Woodcut Composition" Edition 55/100, Abstract Woodcut signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1965 Colors: Blac...

Maria Stelmaszczyk is a Polish artist born in 1983. PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak, American (1944 - ) Viola Leak was born in Nashville, Tennessee, she received a B.A. in Art from Fisk University, a B.F.A. in Fashion Design from Pratt Institute, Brooklyn, an M.A. from Hunter College, NY and an M.F.A. in Media from Howard University, Washington, DC. Leak was an art consultant for both the New York State Board of Education and the Metropolitan Museum of Art's Print Department, in addition to working for the Experimental Gallery of Art at the Smithsonian Institute. Her mixed media work often references religious motifs and those of her African-American experience and heritage. She is a multimedia artist, her works include printmaking, textile designing, soft sculpture, appliqué tapestries, doll making, and multi-media. Viola has studied with many renowned artists such as Aaron Douglas, Romare Bearden, Robert Blackburn, and Charles White. Her works can be found in the collections of World Federation of United Nations, New York State Office Building, Manufacturers of Hanover Trust Company, Atlanta Life Insurance Company and many more organizations. Viola's exhibition experience is extensive - more than 100 showings over a decade, national and international. Her quilts exude a miraculous and magical presence. They have traveled in two international shows and three national quilt projects in the past three years. A proud moment for her was being featured in the December 20, 2000 of the Smithsonian magazine; the article praised her mural "Afro Dance Scan" as one of the outstanding artworks in the "When the Spirit Moves: African American Dance...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...