Rafał Bojdys Portrait Paintings

The Menthol Mood, 2009, Nancy Lamb, Oil on canvas, 48 x 85" Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian Un...

Erasmus Quellinus The Continence of Scipio Oil on Canvas The painting is included in the Catalogue Raisonné of the artist. The Roman commande...

"Luckily Alive" is one of the works from the "Fetishes" series that Natasha Lelenco created throughout the year 2022. The title of this artworks is taken from the song "Kak Na Vojne"...

This piece, entitled "Clock Madonna" is one of the early works from the series "Fetishes," created by Moldovan artist based in Spain, Natasha Lelenco (...

"After-dinner" is a figurative artwork by Moldovan-spanish artist Natasha Lelenco, created in acrylic on canvas. The work, featuring the artist's characteristic contemporary figurati...

Portrait of Johann Theodor of Bavaria (1703-1763) by Joseph Vivien Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...

Study for a Man, perhaps Italian School , Follower of Caracci. Old Master Painting. In a Golden Frame, 52 x 46 cm.

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

Nino Giuffrida (Sicilian, 1924, active in France) Un Garçon avec des Fruits • Oil on canvas, ca. 41 x 33 cm • Frame, made by the renowned framer Knöll from Zürich, ca. 54 x 46 cm • Signed top left Born in 1924 in Sicily, Nino already attended the artistic high school in Catania at the age of 17, where he befriended fellow painters including Pippo Aleo and Giovanni Calogero. At that time, he painted with passion everything he saw, landscapes, seascapes, still lifes. After a first attempt to come to France with his friend Giovanni in 1948, aborted for lack of a visa. Nino finally arrived at the Gare de Lyon on December 8, 1949 and settled at number 30 rue Gabrielle in Montmartre. Nino began to paint Paris. Like many Montmartre artists of this period, while he painted all day long, he moved about in the evening on the terraces of the cafés of Montmartre and Saint-Germain-des-Prés to transform himself into a portrait painter and randomly sketch the customers in restaurants. Nino then devoted himself more and more to the painting of children, which became his favorite theme of inspiration. Pierre Imbourg, journalist and art critic, wrote of him: "Montmartre, the land of little ‘Poulbots’, inspiring Nino to record in his mind all these childrens faces whose intense facial expression he would endevour to reproduce". It was also at this time that his career as a Montmartre painter influenced by cubism began. With the disappearance of the art galleries in Montmartre, Nino decides to settle on the French Riviera, in Cannes then in Vallauris. From 1952 his personal exhibitions follow one another and Nino becomes an international painter: Rome, Brussels, Chicago, Copenhagen, Helsingborg and Aüs in Sweden, in Geneva, in Kourou in Guyana... In Paris, he manages the Galerie de la Colonne...

The two works are for sale together. Together they are more meaningful. The two figures are side by side, looking at each other. Each work is 92X73 cm. If it is desired to be exhibited together, the frame of one is slightly larger than the other. However, the canvas dimensions are exactly the same size. If desired, the frame can be changed. The work is oil on canvas. The artist does not use white paint on white areas. That is the nature of the artist. More information is right below. Ömer Kaleşi...

"In 'Love Wild,' Natasha Lelenco engages in a playful and stylistic exploration with clear references to the recurring portraits of the early Renaissance, such as those by Giorgione, from a contemporary perspective and with the technical precision that characterizes her work. In this piece, she presents a character with a certain sexual ambiguity, lost in thought, snuggled up with a small creature, a little monster, and sporting tattoos on the fingers that read 'Love' and 'Wild,' a nod to Charles Laughton's famous film 'The Night of the Hunter...

This painting is one of the works from the "Fetishes" series that Natasha Lelenco created throughout the year 2022 to be featured in the international exhibition Nordart 2022 in Büde...