Raoul Varin Landscape Prints

This stunning original lithograph, titled The Passing Parade, is a signed piece by renowned American artist Ila Mae McAfee (1897-1995). Created in the 20th century, the artwork depic...

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper Dramatic street scene with a man wearing a trench coat and hat by Robert J We...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

Binyon 396 - A fine impression in fine condition in an edition of 20 signed and inscribed by the artist. Strang was a prolific printmaker and across his lifetime produced over 750 o...

This original signed lithograph print by George Elbert Burr (1859-1939) features a serene winter landscape with snow-covered trees, capturing the tranquil beauty of nature in a crisp winter scene. Known for his etchings and prints, Burr’s lithograph technique beautifully reflects his mastery in portraying the delicate interplay of light, snow, and shadows in the landscape. The print is signed by the artist and is presented in a custom frame with archival materials for long-lasting preservation. The framed dimensions measure 15 x 17 ¾ inches, with the image size itself being 7 ¼ x 10 ¼ inches. About the Artist: George Elbert Burr was a prolific American artist born in Monroe Falls, Ohio, in 1859. From an early age, Burr showed a passion for art, creating his first etchings using zinc scraps found in his father’s hardware store. Despite limited formal training—attending the Art Institute of Chicago for only a short period—Burr developed a unique and impactful style, focusing on etchings, lithographs, and illustrations. His early works often reflected the rural landscapes of Missouri, which he sketched during his travels on a railway pass. Burr gained recognition as an illustrator, working with notable publications like Scribner’s, Harper’s, and The Observer. In 1892, he began a monumental project illustrating the Metropolitan Museum of Art’s catalog of Heber R. Bishop’s jade collection, completing approximately 1,000 etchings. From 1896 to 1901, Burr and his wife traveled extensively across Europe, capturing landscapes and scenes from Sicily to North Wales. In 1906, Burr moved to Denver, Colorado, where he created the Mountain Moods series and began to document the American Southwest. His work often featured the rugged beauty of the Arizona desert and the New Mexico landscape. Burr’s Desert Set...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

"Un Grain à Trouville" (Squall at Trouville) from L'Illustration Nouvelle Dramatic etching of an approaching storm by Félix Hilaire Buhot (French,...

This is an enigmatic image. Between the two center/left trees there appears to be a figure, possibly a woman. At the right, seated on a rock, is a man, in robes. Religious images are...

La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...