Robert Cottingham Prints and Multiples
American, b. 1935
Robert Cottingham is an American painter best known for his Photorealist depictions of cropped commercial signage. Born on September 26, 1935, in Brooklyn, NY, Cottingham studied at Pratt Institute. He received his BFA in 1963 before starting a five-year career in commercial advertising. Upon moving to Los Angeles, Cottingham seriously committed himself to his painting practice, which eventually subsumed his advertising career by 1968 as the artist rose to prominence along with the Photorealist movement.
Notably—though Cottingham is considered among the most prominent Photorealists of the latter half of the 20th century—he disavowed his relationship to the movement. Instead, he views his work as part of the lineage of vernacular Americana painters, including the likes of Stuart Davis and Edward Hopper. His work can be found in The Metropolitan Museum of Art collections in New York and the Smithsonian American Art Museum in Washington, D.C., among others.(Biography provided by Eckert Fine Art)
3
to
3
27
6
1
24
2
1
3
1
2
21
Overall Height
to
Overall Width
to
21
1
1
1
5
4
4
3
3
2
1
1
1
1
1
1
1
1
1
1
1
1
1
5
19
1
3
1
32
874
663
659
626
20
5
3
2
2
Artist: Robert Cottingham
Returnable Items Only
Nite, 2009 from American Signs
By Robert Cottingham
Located in Philadelphia, PA
Robert Cottingham
Nite, 2009
Screenprint in colors on wove paper
38 1/4 × 37 in 97.2 × 94 cm
Edition of 100
From American Signs Series
Hand-signed by artist, signed, editioned, titl...
Category
Early 2000s Robert Cottingham Prints and Multiples
Materials
Screen
Blues, 2009 from American Signs
By Robert Cottingham
Located in Philadelphia, PA
Robert Cottingham
Blues, 2009
Screenprint in colors on wove paper
38 1/4 × 37 in 97.2 × 94 cm
Edition of 100
From American Signs Series
Hand-signed by artist, signed, editioned, tit...
Category
Early 2000s Robert Cottingham Prints and Multiples
Materials
Screen
Roxy
By Robert Cottingham
Located in New York, NY
Color offset lithograph. Signed and numbered 2/100 in pencil by Cottingham.
This work is based on the same-titled color screenprint by Cottingham.
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Color, Lithograph, Offset
Blues, from the American Signs Portfolio (hand signed by Robert Cottingham)
By Robert Cottingham
Located in New York, NY
Robert Cottingham
Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009
Screenprint in colors on wove paper
Pencil signed, numbered 66/100, dated, and tit...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Cold Beer (with coca cola sign) photorealist print
By Robert Cottingham
Located in New York, NY
Two Color Offset Lithograph on Wove Paper
Pencil signed, titled and numbered from the edition of 150 on the front
This hand signed, titled and numbered lithograph was printed in 197...
Category
1980s Photorealist Robert Cottingham Prints and Multiples
Materials
Lithograph
Blues (The Original Edition)
By Robert Cottingham
Located in New York, NY
Robert Cottingham
Blues (The Original), 1989
Color aquatint on wove paper
Edition 31/45
Pencil signed and numbered by Robert Cottingham on the front
Framed
This is the original, stri...
Category
1980s Photorealist Robert Cottingham Prints and Multiples
Materials
Aquatint
Everybody's Bookshop, Everybody's Books
By Robert Cottingham
Located in New York, NY
Robert Cottingham
Everybody's Bookshop, Everybody's Books, 1975
Color Lithograph
23 × 18 inches
Edition of 200
Signed and numbered from the edition of 200 in pencil (recto); Bears Ar...
Category
1970s Photorealist Robert Cottingham Prints and Multiples
Materials
Lithograph
Don't Walk unique trial proof signed and inscribed by famed photorealist artist
By Robert Cottingham
Located in New York, NY
Robert Cottingham
Don't Walk, 1985
Three color Linoleum Cut on Paper
Pencil signed, inscribed to Bryan and annotated TP
Published by Chip Elwell Fine Prints
Unique - Trial Proof
This is a unique Trial Proof that Robert Cottingham inscribed, annotated and gifted to Bryan Konefsky, his longtime studio assistant in both Newtown, CT and Santa Fe New Mexico. Only one other example - a variant - of this early print, exists and is in the collection of the Smithsonian. Due to the untimely death of printer Chip Elwell in October of 1986, only two proofs in the woodcut medium were pulled: the present work, which Cottingham gifted to his longtime studio assistant, and the one at the Smithsonian. Furthermore and in another interesting turn of events, Elwell's studio was burglarized shortly after his death and among the items stolen were the original wood blocks for DON'T WALK. This is an historic work; and the only one available on the market.
Measurements:
Framed:
15 inches x 13.5 inches x .3 inches
Artwork
12 inches x 10.5 inches
Robert Cottingham Biography
Robert Cottingham (b.1935, Brooklyn, NY) is recognised for his Photorealist paintings of American urban landscapes, particularly his depictions of painted and neon shop signs...
Category
1980s Photorealist Robert Cottingham Prints and Multiples
Materials
Pencil, Linocut
NITE
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37 inches. Image size: 32 x 32 inches. Frame size approx 41 x 40 inches. Edition of 100. From American Signs portfolio.
Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen, Paper
BLUES
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37 inches. Image size: 32 x 32 inches. Frame size approx 41 x 40 inches. Edition of 100. From American Signs portfolio.
Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen, Paper
M
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37 inches. Image size: 32 x 32 inches. Frame size approx 41 x 40 inches. Edition of 100. From American Signs portfolio.
Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen, Paper
AMERICAN HI FI
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen, Paper
AMERICAN SIGNS (PORTFOLIO OF 12)
By Robert Cottingham
Located in Aventura, FL
Each hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Each sheet size: 38 x 37. Each image size: 32 x 32. Certificate of Authenticity included. Complete Suite, edition 69/100. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Paper, Screen
Rolling Stock for Armyn by Robert Cottingham
By Robert Cottingham
Located in Long Island City, NY
Artist: Robert Cottingham, American (1935 - )
Title: Rolling Stock Series: For Armyn
Year: 1992
Medium: Aquatint Etching, signed, numbered and titled in pencil
Edition: 43/60
Im...
Category
1990s Photorealist Robert Cottingham Prints and Multiples
Materials
Aquatint, Etching
Hi Fi, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
HI FI, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' a...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Art, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Art, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' and...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Blues, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Blues, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' a...
Category
Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
M, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
M, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' and n...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Nite, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
NIte, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' an...
Category
Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Rialto, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Rialto, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' ...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Drinks, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Drinks, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Champagne, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Champagne, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2...
Category
Contemporary Robert Cottingham Prints and Multiples
Materials
Screen
Fox, from American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Fox, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' a...
Category
Early 2000s American Modern Robert Cottingham Prints and Multiples
Materials
Screen
Hi, from American Signs Portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Hi, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' an...
Category
Early 2000s Pop Art Robert Cottingham Prints and Multiples
Materials
Screen
Hot, from American Signs Portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Hot, from American Signs Portfolio, 2009
screenprint in colors, on wove paper, with full margins
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' and...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Star, from American Signs Portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Star, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' and numbered edition of 100 in pencil
--
Robert Cottingham
B. 1935, BROOKLYN, NEW YORK
Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler.
Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.
In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California.
In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
American Signs portfolio, 2009
The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil.
Robert Cottingham
B. 1935, BROOKLYN, NEW YORK
Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler.
Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.
In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California.
In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category
Early 2000s American Realist Robert Cottingham Prints and Multiples
Materials
Screen
Related Items
Tête de Femme (Fribourg livres illustrés 25; Duthuit 23), 1948, Henri Matisse
By Henri Matisse
Located in Fairfield, CT
Artist: Henri Matisse (1869-1954)
Title: Tête de Femme
Year: 1948
Medium: Lithograph on Chine Appliqué (China paper mounted on wove paper)
Size: 9.75 x 7.50
Condition: Excellent
Insc...
Category
1940s Modern Robert Cottingham Prints and Multiples
Materials
Lithograph
Deborah Kass Feminist Jewish American Pop Art Silkscreen Screenprint Ltd Edition
By Deborah Kass
Located in Surfside, FL
Deborah Kass (born 1952)
Limited edition geometric abstract lithograph in colors on artist paper.
Hand signed and dated in pencil to lower right. 1973.
Edition: 102/120 to lower left.
Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H.
Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York.
Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world.
Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician.
At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions.
Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix.
At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...
Category
2010s Pop Art Robert Cottingham Prints and Multiples
Materials
Screen
l'Homme au lavabo [Figure at a Washbasin]
By Francis Bacon
Located in London, GB
Etching and aquatint in colours on Arches paper
Signed by the artist in pencil, lower right on recto
Image: 47.5 x 36.3 cm, Sheet: 67.5 x 52 cm, Framed: 87.9 x 71.7 cm
Edition of 46
...
Category
1870s Modern Robert Cottingham Prints and Multiples
Materials
Etching, Aquatint
Offset lithograph poster (Signed by both Helen Frankenthaler and Aaron Copland)
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler
Pro Musica's Contemporary American Choral Music (Hand signed by both Helen Frankenthaler and Aaron Copland), 1982
Offset lithograph poster (Hand signed by Helen F...
Category
1980s Abstract Expressionist Robert Cottingham Prints and Multiples
Materials
Ink, Lithograph, Offset
Untitled (from Rubber Stamp Portfolio) Lt. Ed Abstract 1970s print with envelope
By Myron Stedman Stout
Located in New York, NY
Myron Stout
Untitled (from Rubber Stamp Portfolio), 1976
Rubber Stamp Print on Buckeye Paper
8 × 8 inches
Limited Edition of 1000
Stamped with a...
Category
1970s Abstract Robert Cottingham Prints and Multiples
Materials
Lithograph, Offset, Other Medium
Bacon, Portrait Isabel Rawsthorne, 2003 (after)
By Francis Bacon
Located in Fairfield, CT
Artist: Francis Bacon (1909-1992)
Title: Portrait Isabel Rawsthorne
Year: 2003
Medium: Offset Lithograph on premium paper
Size: 39.25 x 27.5 inches
Condition: Excellent
Notes: Publis...
Category
Early 2000s Abstract Expressionist Robert Cottingham Prints and Multiples
Materials
Lithograph, Offset
Bacon, Le Boeuf, 1986
By Francis Bacon
Located in Fairfield, CT
Artist: After Francis Bacon (1909-1992)
Title: Le Boeuf, exhibition poster
Year: 1986
Medium: Offset Lithograph on premium paper
Size: 30.75 x 18 inches
Condition: Excellent
Notes: Published by Foundation Maeght
FRANCIS BACON (1909-1992) Francis Bacon has a distinctive style as a figure painter. In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills...
Category
1980s Abstract Expressionist Robert Cottingham Prints and Multiples
Materials
Lithograph, Offset
Iranian Israeli Large Aquatint Etching Figurative Abstract Circus Monde Balloons
By Elie (Eliahu) Abrahami
Located in Surfside, FL
Bright colorful abstract circus scene with balloons.
Born in 1941 in Sanandaj, Iran and immigrated to Israel at the age of 17. Elie Abrahami began his study of art at the Avni School...
Category
20th Century Abstract Robert Cottingham Prints and Multiples
Materials
Aquatint
Takashi Murakami 'Superflat' exhibition poster (vintage Takashi Murakami)
By Takashi Murakami
Located in NEW YORK, NY
Takashi Murakami Superflat Exhibition Poster 1999:
Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...
Category
21st Century and Contemporary Pop Art Robert Cottingham Prints and Multiples
Materials
Lithograph, Offset
H 22 in W 17 in D 0.01 in
Bacon, Personnage Couche 1966
By Francis Bacon
Located in Fairfield, CT
Artist: After Francis Bacon (1909-1992)
Title: Personnage Couche, exhibition poster
Year: 1966
Medium: Offset Lithograph on wove paper
Size: 28 x 17....
Category
1960s Abstract Expressionist Robert Cottingham Prints and Multiples
Materials
Lithograph, Offset
Historic limited edition 1960s retrospective poster British Council Pop Op Art
By Bridget Riley
Located in New York, NY
After Bridget Riley
Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978
in collaboration with five international museums
Published by the Fine Arts Council UK
Offs...
Category
1970s Op Art Robert Cottingham Prints and Multiples
Materials
Offset, Lithograph
Dream of William Burroughs (rare 1970s limited edition lithograph) for Earth Day
By Robert Rauschenberg
Located in New York, NY
ROBERT RAUSCHENBERG
Dream of William Burroughs, 1972
Offset lithograph
34 1/2 × 24 inches
Edition 103/150
Signed, dated and numbered in black marker on the front
Unframed
Wonderful early 1970s print
Words appearing in a dream of William Burroughs
Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York
Signed and numbered 103/150 in black marker
This work is registered with the Robert Rauschenberg archives, reference number:
RRF 72.E001
Text reads:
THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET.
More information about this work from the Rauschenberg Foundation:
Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States.
Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.”
About Robert Rauschenberg:
Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.”
Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986.
About William Burroughs
William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...
Category
1970s Pop Art Robert Cottingham Prints and Multiples
Materials
Offset, Permanent Marker, Lithograph
Previously Available Items
Boulevard Drinks, 2009 from American Signs
By Robert Cottingham
Located in Philadelphia, PA
Robert Cottingham
Boulevard Drinks, 2009
Screenprint in colors on wove paper
38 1/4 × 37 in 97.2 × 94 cm
Edition of 100
From American Signs Series
Hand-signed by artist, signed, edi...
Category
Early 2000s Robert Cottingham Prints and Multiples
Materials
Screen
CHAMPAGNE
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37 inches. Image size: 32 x 32 inches. Edition of 100...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Paper, Screen
RIALTO
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Paper, Screen
NITE
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity i...
Category
Early 2000s Contemporary Robert Cottingham Prints and Multiples
Materials
Paper, Screen
HOT
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity i...
Category
Early 2000s Contemporary Robert Cottingham Prints and Multiples
Materials
Paper, Screen
HI
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Paper, Screen
FOX
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Paper, Screen
BLUES
By Robert Cottingham
Located in Aventura, FL
Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37. Image size: 32 x 32. Certificate of Authenticity included. Published by Greg Smith...
Category
Early 2000s Photorealist Robert Cottingham Prints and Multiples
Materials
Paper, Screen
Rolling Stock for Jesse
By Robert Cottingham
Located in Long Island City, NY
Artist: Robert Cottingham, American (1935 - )
Title: Rolling Stock Series: For Jesse
Year: 1992
Medium: Aquatint Etching, signed, numbered and titled in pencil
Edition: 43/60
Im...
Category
1990s Photorealist Robert Cottingham Prints and Multiples
Materials
Etching, Aquatint
X
By Robert Cottingham
Located in Long Island City, NY
Artist: Robert Cottingham, American (1935 - )
Title: X
Year: 1999
Medium: Lithograph, Signed and numbered in pencil
Edition: 18/35
Size: 33 in. x 24 in. (83.82 cm x 60.96 cm)
Category
1990s Photorealist Robert Cottingham Prints and Multiples
Materials
Lithograph
Fox
By Robert Cottingham
Located in Long Island City, NY
Artist: Robert Cottingham, American (1935 - )
Title: Fox
Year: 1973
Medium: Silkscreen, Signed and numbered in pencil
Edition: 45/100
Image Size:
Size: 21 x 21 in. (53....
Category
1970s Photorealist Robert Cottingham Prints and Multiples
Materials
Screen
Carl's
By Robert Cottingham
Located in Fairlawn, OH
Signed lower right sheet edge: "Cottingham '77"; Impressed with the Landfall Press chop stamp
Edition: 50
Printed and published by Landfall Press, Chicago
From: Landfall Set (11 ...
Category
1970s Robert Cottingham Prints and Multiples
Robert Cottingham prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Robert Cottingham prints and multiples available for sale on 1stDibs. If you’re browsing the collection of prints and multiples to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, orange, purple and other colors. You can also browse by medium to find art by Robert Cottingham in screen print, lithograph, paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Photorealist style. Not every interior allows for large Robert Cottingham prints and multiples, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Robert Bechtle, Doug Bloodworth, and John Baeder. Robert Cottingham prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,200 and tops out at $26,250, while the average work can sell for $3,800.