Robert Bechtle Prints and Multiples

Marcel Mouly (French 1918 - 2008) Untitled lithograph on woven paper with deep saturated colors in excellent condition. Well framed under plexiglass with a double matt, signed lowe...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

’Palace Pier’ Brighton By Bernard Brett Medium - Lithograph Edition - Studio proof Signed - No Published by - Curwen Press Size - 615mm x 435mm Date - C1975 Condition - Reasonable. 8 out of 10. Some small repaired tears to edge. Not affecting image. Colour of print may not be accurate when viewed on a monitor. Bernard Brett, a painter and lithographer, was born in Birmingham. He received his education at Brighton College of Art and later taught at Wolverhampton College of Art from 1951 to 1957. He held the position of Vice Principal at East Surrey College of Art from 1967 to 1975. Brett's artistic contributions included illustrating works published by Curwen Press, and he exhibited his works multiple times at the Royal Academy (RA). In the late 1970s, he is believed to have emigrated to the United States. Brett's talent extended beyond painting, as he also excelled as a printmaker. His prints, created primarily during the 1960s and 1970s, were known for their vibrant color schemes. His artistic style shared similarities with renowned British artists of his time, including Geoffrey Elliott...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek ur...

Charles Ford, American Photo Realist Pop Artist Texas Artist Photorealism is a movement which began in the late 1960's, in which scenes are painted in a style closely resembling phot...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

Overlooking Wadi, Asir Province, Kingdom Of Saudi Arabia by His Majesty King Charles III, (created when he was HRH The Prince of Wales) - ...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA CHAINE SIMPSON" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #60, 1900. Plate #238 Unframed Size: 11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...

’Flowers’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Very good. 9 out of 10. Colour of print may not be accurate when...

’Tall trees’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 9 out of 10. Colour of print may not be accurate when v...