Rocky Hawkins Figurative Paintings

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

A Case of the Blues - Abstract Expressionism An abstract expressionist painting in vibrant hues of blue swimming in multiple layers and colors, creating a work that is defined by d...

"Irises in the Wind" is a striking, contemporary floral painting created by French artist Natalya Mougenot. Known for her unique expressionist style, Mougenot moves beyond merely rep...

"Bluepoint" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a cat on an abstracted background.

This expressive artwork "Vibrant blooms and light" , created by Natalya Mougenot, displays a vividly abstract bouquet of flowers in a vase that intriguingly resembles a human form, c...

Dan McCaw's (US based) "Waiting" is an original, handmade oil painting that depicts an abstracted figure in an interior setting. Artist Statement: Born: 1942 A solid foundation o...

Brian Keith Stephens presents an original, handmade composition titled "Angels and Cowboys", created in 2025. This oil and wax on cotton painting measures 50 inches high by 30 inches...

Stunning modernist impasto painting of a goldfish with coral reminiscent of California Abstract Expressionist painter Joan Brown's early work. Circa 2000. W...

Title: Good Company - Amicus Colorful Authentic Original Contemporary Intense Striking Love Friendship One-of-a-kind Amīcus - The Latin word meaning to befriend. To be in good com...

Title: The Guardians of the Carnival Love the detail in this artwork by Karnish. This work is part of a series. It is part of a story... It portrays truth, abundant energy, utmost ...

In this painting, I captured the graceful dynamics of the relationship between rider and horse with warm, expressive brush strokes. The bright background, shimmering with pink and em...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...