Romeyn de Hooghe More Furniture and Collectibles

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

Three Centuries of American Prints: From the National Gallery of Art by Judith Brodie, Amy Johnston and Michael J. Lewis. Publisher Thames & Hudson Lt...

An early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat Major, et...

Royal North Devon Golf Club 1893 by Mayall & Co. Ltd. A great image of the members of the 'Royal North Devon Golf Club, Westward Ho!' from 1893. The figures are all photographs superimposed onto a painted background of the course. In the margin is printed 'Permanent Autotype, Produced by Mayall & Co. Ltd. 73 Piccadilly'. The image appears very much photographic but is more of a photomechanical print rather than a photograph. John Jabez Edwin Paisley Mayall (1813-1901) was an English photographer who in 1860 took the first carte-de-visite photographs of Queen Victoria. Taken from Royal North Devon:- Royal North Devon at Westward Ho! Can rightly claim to be the cradle of English Golf. Founded in 1864, it is the oldest golf course in the country and is regarded as the St Andrews of the South. The golf course is as tough as any of the UK's more famous links layouts and has recently been placed in Golf World 's 'Top 100 Courses in the World' that a golfer 'must play'. Not only is Royal North Devon a great course, it is also a place of huge historical importance. Inside the warmly welcoming clubhouse, the golf museum, honours boards and the clubs top competition trophies are worth a visit on their own and help to tell the story of the game and this remarkable club's unique place in it. Above all, this is great, natural golf that is largely unchanged from 100 years ago when Harold Hilton et al pronounced Westward Ho! As England's No 1 competition golf course. RND is pure, raw exhilaration and ultimately the experience of playing a fast running links in a stiff breeze still tests the very best in the game. Many of the great players of the last 100 years were regular competitors at RND but the greatest of them all is without doubt John Henry Taylor...

Cambridge preparing for the boat race. A wonderful atmospheric rowing lithograph of the Cambridge crew getting into a rowing scull preparing for a race....

Print depicting a schooner, no. 1 of 400 copies signed Z21, made in the mid-19th century. Non-coeval briarwood frame; measures with frame 50 x 40 cm.  

Charlie Hunter, golf club maker, Prestwick. Robert Cree Crawford, A fine photogravure by Annan & Sons, after the painting by R.C. Crawford, of the famo...

This engraved print shows a view of the United States Capitol Building, in Washington, D.C. The print depicts the neoclassical building from the northeast orientation, with a bustling street scene in front. The steel engraving is a proof printing, drawn and engraved by Henry Sartain and published in 1858. Plans began in May 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This 1865, hand-colored engraving by A. H. Ritchie is entitled Lady Washington's Reception and is based on Daniel F. Huntington's original painting "Th...

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---