Antique Print of a Fort on the Ivory Coast and Axim, Africa, 1748

Antique print titled 'Procession au Temple du Serpent - Ommegang naar den Tempel des Serpents'. Print of the procession at the Temple of Pythons, Ouidah. This print originates from 'Historische beschryving der reizen, of Nieuwe en volkoome verzameling van de aller-waardigste en zeldsaamste Zee- en Landtogten' by P. de Hondt. The Temple of Pythons is a site of historical and modern symbolism and spiritual practice in Ouidah, Benin. The snakes are a major totem for followers of Vodun, a religion practiced by groups of people within West and Central African nations such as Ghana, Togo, and Benin. Vodun became somewhat widespread in southern regions of the New World as a result of the African diaspora. It became the inspiration for other religions such as Louisiana Voodoo and Haitian Vodou...

Antique print titled 'Vue Sud du Fort de Tantumquerri - Zuidgezigt van 't Fort van Tantumquerri'. View of Fort Tantumquerry. Fort Tantumquery is a military structure designed to faci...

Antique map titled 'Plan du Fort Dauphin (..) - Grondtekening van 't Fort Dauphin'. Plan of Fort Dauphin on the island of Madagascar of the east coast of Africa. This print origi...

Antique print, titled: 'The Dutch Fort Croevecoeur (…).' A four panel plate showing forts on the West African Gold Coast, Ghana; a) The Dutch Fort Croevecoeur at Accra, b) The Danish Fort Christiaenburgh at Accra, c) Cape Ruygehoeck or Duyvelsbergh, d) The Prospect of the Village and Coast of Lay, the mount Redonda being at NNE. Ussher Fort is a fort in Accra, Ghana. It was built by the Dutch in 1649 as Fort Crevecoeur. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Antique print, titled: 'The Fort Fredricksburg formerly to ye Danes and now Fort Royal (…).' - A three panel copperplate engraving showing three forts on the West African Gold Coast, Ghana; a) The Fort Fredricksburgh formerly to ye Danes and now Fort Royal. English at Manfroe, b) The Fort Amsterdam at Cormentyn belonging to ye Hollanders, c) The Fort James, English at Accra. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Antique map titled 'Plan de la Ville et des Forts de St. Yago - Grondtekening van de Stad en Forten van St. Iago'. Plan of the Forts and Town of St. Yago in the Cape Verde Islands. T...

Jacques Bellin's copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra Leone in ...

Great map of South Africa. Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Br...

Presented is an 1894 signed first edition goupil-gravure print by Heywood Hardy (1842-1933). The engraving was printed in Paris and published by Boussod Valadon & Co. Publishers, the successors to Goupil & Co. Designed as a companion to After the Drive, Hardy’s On the Moors (Dogging) depicts three hunters and their two dogs hunting ducks. The youngest of the three men is shooting his gun as the dogs excitedly wait to chase after the bird. This print is one of only 75 artist’s proofs and has been signed by the artist in pencil at the lower left corner of the print’s margin. Hunting has a long history in England and is considered a very traditional activity even today. One of the most popular forms of hunting is called “wildfowling” and targets wild geese and ducks. Often conducted on coastal marshes, wildfowling is typically a solitary or small group sport unlike the grand group fox and pheasant hunts...

An anatomical lithographic print on paper, depicting the anatomical atlas of the hand. Black lacquered fir wood frame with golden ramin wood batting. N. H. Ja...

An anatomical lithographic print on paper, depicting a cross section of the muscular system of the neck. Black lacquered fir wood frame with golden ramin wood batting...

An anatomical lithographic print on paper, depicting a cross section of the muscular system of the neck. Black lacquered fir wood frame with golden ramin wood batting...