Ron English Art

'Bias by Numbers' by Shepard Fairey, 2017 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Limited edition of 450 (#134/450) Hand-signed and dated in ...

Prefab77 (British, 20th c.) Let in Reign (Vicious Pink II) Screenprint in 6 colors with deluxe metallic inks on 310 gsm Vicious Pink specialty paper Annotated 'AP' (artist's proof) l...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

Prefab77 (British, 20th c.) Heavy Crown Archival pigment print on luxuriant 300gsm Somerset art paper Edition of 100 Signed in plate lower left. Signed by artist in white ink with em...

"Up Here Down There" by JR, Oliver Jeffers. 2016. Hand embellished lithograph in colours on 270 grm BFK Rives paper 28.9 x 20.3 inches unframed (please inquire about framed dimensio...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

„The Crack“ by Martin Whatson, 2021 Giclee Print with 7 Colour Screen Print on 300 Gsm Somerset Satin Paper. The paper is embossed around the crack for a 3D effect with the graffiti ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

2003 Offset lithograph in colors Sheet: 12 x 12 in. Edition unknown Text on verso, unsigned

Limited Edition Hand Embellished Giclee print on Plexiglass Print sold Unframed Ships from The UK Norman O’Flynn born 1971, lives and works in Cape Town as a painter, sculptor and...