Rupert Jasen Smith Prints and Multiples

Mini Fab – Pride [2022] limited_edition and hand signed by the artist Cymk screen print and glitter Edition number 100 Image size: H:21 cm x W:14.8 cm Complete Size of Unframed Work...

Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size: 11 .5 x 14.75 inches. Sheet size: 13.5 x 16.5 inches. Publishe...

Lenin (FS.IIB.402-403) is a unique trial-proof screenprint on paper, 42.62 x 30.25 inches, signed 'Andy Warhol' and numbered TP 2/46 lower left. Framed in a contemporary gold leaf, closed-corner frame. LITERATURE F. Feldman, J. Schellmann, and C. Defendi, Andy Warhol Prints: A Catalogue Raisonné: 1962-1987, 4th ed. New York: D.A.P. Inc, 2003, pp.210 and 221, IIB.402 IIB.403 Though Warhol began his career as a fashion and children’s book illustrator, much of his later work focused on fame, consumer culture and the cult of celebrities as signifiers. In his exploration of fame, he would occasionally dip into the pool of politics and politicians. In the last year before his death in 1987, using a photograph by Philipp Schönborn, Warhol centered his attention on one of his final subjects - Vladimir Lenin. Known as one of the most influential political figures of the 20th century, Lenin was the undisputed political engineer and founder of the one-party socialist state. Lenin played a pivotal role in changing the course of Russian history...

Letter to the World (FS.II.389) from the Martha Graham portfolio is a unique trial-proof screenprint on paper, 36 x 36 inches, estate-stamped, initialed and numbered with its authent...

Pop Art style portrait of a woman with a likeness to Kate Moss by Marc Foster Grant (American, 20th Century). Unsigned, from a collection of his work...

A color screen print with diamond dust by Andy Warhol. "The Shadow" is a self-portrait print executed in a dark, bold palette of browns and blacks by American Pop Artist Any Warhol. ...

"Goethe" is a silkscreen in colors made by Andy Warhol in 1982. The work is signed and editioned in graphite, lower left, "70/100 Andy Warhol". The artwork size is 38 x 38 inches. Th...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s Keith Haring Pop Shop Tokyo bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and...

Seymour Chwast Satchmo (Louis Armstrong), 1989 Silkscreen on Rives BFK Hand-signed and numbered 36/200 by artist on the front 44 × 30 inches Unframed A close-up portrait of Louis Arm...

Frank Stella Merce Cunningham & Dance Company Latin American Tour, 1968 Lithograph on paper affixed to black paper board © 1968 Frank Stella on the front 27 × 48 inches x .75 inches ...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

H10-3 Theodora, Giclee Print on Aluminium Composite by Damien Hirst, 2022 Hirst’s art both shocks and amazes. His works are challenging both visually and philosophically and continu...