Sebastian Spreng Landscape Prints

Color lithograph, Edition 30. Jacquette also creates compelling images of the landscape and the sea from the air or atop hills or mountains. In this colorful print she depicts a view of the Maine...

Color lithograph with pochoir, Edition25 Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills. In Susan's latest prints Solitary Oak and As the Moon Rises...

Artist: Urbain Huchet (French, 1930-2014) Title: "Sunday in the Isle de France" *Signed by Huchet in pencil lower right Year: 1985 Medium: Original Lithograph on unbranded white wove paper Limited edition: 350, (the number may differ from what is shown in the photos) Printer: Unknown, Paris or Cannes, France Publisher: the artist Huchet himself, Paris or Cannes, France Sheet size: 30" x 22" Image size: 27" x 20.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Numbered by Huchet in pencil lower left. The title printed in the plate lower left. Biography: Born in Rennes on April 28, 1930. After studying law and owning a textile factory for four years, he decided in 1960 to devote himself entirely to painting. He does many paintings of landscapes and the typical people of his region. His love of the Brittany coast and the sea can always be seen in his work. After moving to Paris in 1963, his love of adventure and travel led him to spend more time painting and writing in Europe, the Middle East, and South America, where he produced many paintings of the Indian markets and the great scenery. He made 14 trips, each of more than 4 months each, from Mexico to Brazil via Peru, Central America and the Caribbean Islands. In Addition to the paintings, he has written a book about these beautiful countries. A luxurious portfolio of paintings of Egypt...

Hiroshi Sugimoto Photogenic Drawings (Hand Signed), 2012 Offset Lithograph Poster. (Hand signed by Hiroshi Sugimoto) Unframed This offset lithograph poster was hand-signed by photogr...

LE CANOTIER(Dernier beaux jours d'ete) THE BOATER(last beautiful days of summer) is an original hand drawn limited edition lithograph(not a photo reproduct...

Color lithograph, Edition 30. Jacquette creates compelling images of the landscape and the sea from the air or atop hills or mountains.

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original hand drawn lithograph (not a photo reproduction or digital print) printed on archival printmaking paper 100% acid free, using hand lithography techniques. William Tolliver 's recognizable artistic style freely combines the colors of Chagall with the solid compositional principles of Cezanne and the mood and forms reminiscent of Modigliani and Picasso. GOING TO CHURCH depicts a Southern Landscape with a group of black country folk - three females clothed in long dresses, and two youths wearing blue jeans, all walking on their way to religious services. The black textured drawing background defines the composition's frame and outlines the rural landscape, trees, and sky with the procession of human figures in the foreground; a rainbow of multicolors creating a vibrant, almost stained-glass visual effect . GOING TO CHURCH is an impressive large horizontal landscape...

Dusk, Hopi Arizona landscape lithograph contemporary by Dan Namingha purple pink hand pulled limited edition lithograph signed and numbered by the a...

WORKING MOM by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on archiv...

Wolf Kahn Untitled color field landscape, 1990 Monotype on paper (unique) Pencil signed and dated by Wolf Kahn on the front Frame included: held ...

Susan Louise Shatter painted landscapes in both oil and watercolor, preferring the earth tones of volcanic canyons or rocky coastlines rather than the green pastoral settings more tr...

Yvonne Jacquette EAST 15th Street (Faberman 8), 1974 Lithograph in five colors on Arches Cover paper Hand signed by the artist on lower right front This is a rare pencil signed proof, aside from the regular edition of 125. Printed by Paul Narkiewicz and Chip Elwell; published by Brooke Alexander, Inc. (to benefit the Horace Mann School in NYC) 17 3/8 × 21 1/8 inches Unframed Other examples of this exquisite work are in major museums and collections such as the Whitney Museum of American Art. Literature: Aerial Muse: The Art of Yvonne Jacquette by Hilarie Faberman (2002-01-29), 8. Yvonne Jacquette Biography: Yvonne Jacquette (1934 - 2023) was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. She continued to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired a lasting exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness. The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterborough Airport in New Jersey to circle the city while she sketched the scene below. She also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center. Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. Since then, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.  Jacquette participated in her first group show in New York City in 1962 and has been exhibiting steadily since. In 1965 she had a one-person exhibition at Swarthmore College, PA. In 1983, the St. Louis Art Museum organized her first major museum exhibition. A comprehensive retrospective, Aerial Muse: The Art of Yvonne Jacquette, originated at the Cantor Center for Visual Arts, Stanford University, CA in 2002 and traveled to Colby College Museum of Art, Waterville, ME; Utah Museum of Fine Arts, Salt Lake City; and the Hudson River Museum, Yonkers, NY. In 2008, the Museum of the City of New York organized Under New York Skies: Nocturnes by Yvonne Jacquette, which was shown concurrently with Street Dance, an exhibition of photography by her late husband, Rudy Burckhardt...