Sigve Knutson Tables

Sigve Knutson (b. 1991, Norway) is an experimental designer based in between Oslo and Eindhoven. He obtained an MA in Contextual Design at Design Academy Eindhoven in 2016. His pract...

Working intuitively with hands-on techniques and a wide range of materials, young Norwegian designer Sigve Knutson creates objects that question contemporary mass-produced design. After presenting the critically acclaimed solo project Drawn to Production with Carwan Gallery during Milan Design Week in 2017, Knutson presents a new solo show at the gallery with works created in the past five years — including new objects inspired by the local context of Piraeus and created specially for the exhibition. Entitled Assembly, the exhibition explores the freehand, improvisatory approach that is part of Knutson’s practice, which is often driven by the pure joy of putting things together without planning or designing anything in advance. Each object he creates is unique and results from a process led by experimentation and an intuitive use of tools, to create archetypal forms that, in the designer’s own words, display different “gradients of functionality”. Abstract wood columns thus coexist in his work with playfully stacked shelves...

Sigve Knutson (b. 1991, Norway) is an experimental designer based in between Oslo and Eindhoven. He obtained an MA in Contextual Design at Design Academy Eindhoven in 2016. His pract...

Working intuitively with hands-on techniques and a wide range of materials, young Norwegian designer Sigve Knutson creates objects that question contemporary mass-produced design. After presenting the critically acclaimed solo project Drawn to Production with Carwan Gallery during Milan Design Week in 2017, Knutson presents a new solo show at the gallery with works created in the past five years — including new objects inspired by the local context of Piraeus and created specially for the exhibition. Entitled Assembly, the exhibition explores the freehand, improvisatory approach that is part of Knutson’s practice, which is often driven by the pure joy of putting things together without planning or designing anything in advance. Each object he creates is unique and results from a process led by experimentation and an intuitive use of tools, to create archetypal forms that, in the designer’s own words, display different “gradients of functionality”. Abstract wood columns thus coexist in his work with playfully stacked shelves...