Thomas Cole (Clockmaker) Carriage Clocks and Travel Clocks

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

English dial clock by J.Allen, Norwich Mahogany round dial wall clock with brass bezel, inspection door to the side and bottom door to allow acces...

Lovely brass and glass carriage clock by C.R. Crookshank for Tiffany & Co. Made in France in the 20th century. Adorned with endearing botanical and floral motifs all around the piece...

A RARE ENGLISH CARRIAGE CLOCK Signed Arnold & Dent, London An extremely attractive and relatively small nineteenth century carriage clock, signed and numbered on both the dial and t...

C. 20th century Adorable French Carriage clock w/ original case & personal provenance. Brass Case in a classic corniche style, Beveled glass panels & ...

Brass cased Carriage clock in a bevel glazed cornice case with oval viewing aperture with silvered platform lever escapement. Gilded dial mask with foliate engraving. Enamel dial ...

A lovely late George III single pad ebonized eight-day, twin fusee table clock with original verge escapement and rack striking by O. Hamley, circa 1800-1815. The moulded single pad ebonized domed top case with original carrying handle is raised on all four of its original ogee bracket feet onto a detailed base moulding. Gilt-brass sound frets adorn the sides and front in a 'fish scale' pattern backed with bright burgundy silk. The enameled white dial displays Roman numerals, minute and quarter-hour markers housed inside a gilt-brass bezel and domed glass, signed Hamley, Warwick Place, London. The clock features a strike/silent switch on the front dial and a repeat to the right-hand-side. The backplate has border engraving and a short pendulum. Date: 1800-1815 O. Hamley is recorded in Loomes (2006) as being active, circa 1811. He also worked at Bedford Row...

Walnut grandmother clock retailed by Garrards. Walnut Longcase clock standing on a raised, shaped moulded plinth with applied panel to the ...

A large oval strut clock By Thomas Cole The case constructed from gilt brass and designed to be as thin as possible, finely engraved throughout, of substantial oval size, and supported by means of a fold-out foot, the outer frame with floral engraved border, the silvered dial decorated in conforming manner and denoting the hours in Roman numerals with blued steel hands, its centre decorated in foliate patterns; the movement with four turned pillars, spring barrel, steel balance and lever escapement and signed to the backplate by the retailer, also denoted on the dial's cartouche "Thos Boxell, Brighton," and numbered to the rear. Circa 1860 Dimensions: H: 11 in / 28 cm Comparative Literature: Hawkins, J. B. Thomas Cole & Victorian Clockmaking. Woodbridge: Antique Collectors' Club, 1975; p. 90 (item 28), illustrating a related large oval strut clock. Thomas Cole (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, Cole is known as a specialist in making decorative timepieces of the highest quality. He exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exposition universelle of 1855 and the London 1862 International Exhibition, where he was awarded a medal for 'excellence of taste and design'. Thomas Boxell of Brighton...

A charming and exceptionally petite Swiss silver and enamel sub miniature carriage clock, dating to circa 1920, and signed Pontana to the dial. Executed with remarkable precision and...

A Superb Coromandel-Veneered Mantle Clock The case constructed of very well-figured Coromandel giving the maximum amount of decorative effect, with gilt bronze accents; the plinth base of rectangular form, with everted stepped corners, and precisely chased gilt bronze figures, two representing Mercury-the god of travel and merchants with his winged helmet and coin purse in hand; the others representing Fortuna-the goddess of luck; the sides glazed, with mooresque arcaded pierced mounts enclosing a vase, in gilt bronze with overlapping palm trees above: the top of domed form with an octagonal platform, surmounted by an architectural dome, its engraved detail and structure reminiscent of Byzantine prototypes. The silvered chapter ring with Roman numerals for the hours, and within an arabesque dial divided into quadrants, with the key aperture at 6 o'clock. Below, the manual calendar, and a semi-circular thermometer. The dial signed by the retailer "Hunt & Roskell / London." The mechanism replaced with a one-year duration movement by Achille Brocot. English, circa 1860 A closely related clock, by Thomas Cole, though not bearing his signature, with a case of identical form and differing bronze decoration, previously with Butchoff. A third known coromandel-veneered example, also unsigned, is discussed by John...