Tim Southall Animal Prints

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper. Limited edition of 125. Hand signed and numbered verso by David Shrigley.

26 colour screenprint on somerset satin tub sized 410gsm Edition of 125 75 x 56 cm (29.5 x 22 in) Signed and numbered on the back Condition upon request Our mission is to connect ar...

Hunt Slonem Anaconda II, 1980 Silkscreen on Arches paper Hand signed, numbered and dated on the front and titled on the back. 29 3/4 × 21 3/4 inches Unframed With tropical animals, worldly sculptures, and vibrant textiles, Hunt Slonem’s early still lifes are filled with treasures that reflect his childhood spent traveling to faraway places. As the son of a Navy officer, Slonem moved every two or three years during his youth, living everywhere from Hawaii to Washington State to Nicaragua. “I would say my whole life could be summed up by the word exotica,” the artist has said. Slonem’s still lifes contain allusions of his various homes, including pineapples, Native American headdresses...

Bold yet detailed etching by American artist Robert C. Marsh Jr (b. 1944). Bold shadows contrast with delicate textures to create a slightly abstracted landscape populated with cows....

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

"Barmaid, " a Dwarf Beagle 1887 Etching 3 x 5

Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...

Sharon Augusta Mitchell created this vividly colored image of five toucans with bright yellow bills set against a background of green tropical ferns and bright orange flowers. The im...

10 colour screenprint with varnish overlay printed on Somerset Satin Tub sized 410gsm Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due t...

Artist: Dan May (American, 1955-) Title: "Fish Dinner" *Signed and numbered by May in pencil lower left Year: 1988 Medium: Original Screenprint on unbrande...

Artist: Dan May (American, 1955-) Title: "Cat with a Habit" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Lim...